Posthumous:

M. K. Lease, Pauline Thulin, George Allen, Travis Fullerton, Charles Gustina, Myron Helfgot, J. Long, M. K. Lease
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引用次数: 1

Abstract

POSTHUMOUS By Michael K Lease BFA – Frostburg State University 1996 A Thesis Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Virginia Commonwealth University, 2005 Director /Thesis Committee Chair: Paul Thulin, Adjunct Graduate Faculty, Department of Photography and Film This thesis reviews the background, influences, and evolution of three works that form Posthumous, an exhibit by the thesis candidate. The thesis begins with a series of vignettes that relate a number of personal experiences involving death, and photography, which have influenced the conceptual development of the work. Chapters devoted to each piece follow the vignettes. These chapters refer to the various influences that have led to the development of the following works: Obit to Self: April 10, 2005, Posthumous, and Jay. These influences range from the movie Hotel Rwanda, to handbills for punk-rock shows. The thesis ends with a description of the exhibition at the Anderson Gallery.
死后的:
BFA - Frostburg州立大学1996年提交的一篇论文部分满足了弗吉尼亚联邦大学美术硕士学位的要求。弗吉尼亚联邦大学,2005年主任/论文委员会主席:Paul Thulin,摄影与电影系兼职研究生院。本论文回顾了论文候选人的三件作品的背景、影响和演变。论文以一系列的小插曲开始,这些小插曲涉及到一些涉及死亡和摄影的个人经历,这些经历影响了作品的概念发展。各章专门介绍每一件作品后的小插图。这些章节提到了导致以下作品发展的各种影响:《自我讣告:2005年4月10日》、《死后》和《杰伊》。这些影响从电影《卢旺达旅馆》到朋克摇滚演出的传单都有。论文最后对安德森画廊的展览进行了描述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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