Reading Macro and Micro Trends in Nineteenth-Century Theater History

B. Best, Madeleine G. Cella, Rati Choudhary, Kayla C. Coleman, R. Davis, Ella L. Gill, C. Grimm, Malin Jörnvi, Philip Kenner, Patrick Korkuch, M. Laurence, Joanna Pisano, Teagan Rabuano, Lawrence G. Richardson, Haley Sakamoto, Victoria K. Sprowls
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引用次数: 0

Abstract

This essay co-authored by Robert Davis and his students in a theater class at New York University describes the interdependence of close and distant reading practices in their creation and analysis of a representative corpus of nineteenth-century drama. With irregular scholarly and theatrical attention given to nineteenth-century American theatre, the archive of plays and productions is frustratingly fragmented with few playbooks and only limited accounts of their staging. This chapter demonstrates how students used corpus linguistic and spatial analysis tools like Voyant, Antconc, and Tagxedo to recover a neglected century of American theater. Students found that the use of digital tools to perform text analysis, mapping, and network visualization sparked new scholarly ideas about nineteenth-century theatre.
解读十九世纪戏剧史的宏观与微观趋势
这篇文章由罗伯特·戴维斯和他的学生在纽约大学的戏剧课上共同撰写,描述了他们在创作和分析19世纪戏剧代表性语料库时,近距离阅读和远距离阅读的相互依存关系。由于学术界和戏剧界对19世纪美国戏剧的关注不定期,戏剧和制作的档案令人沮丧地支离破碎,剧本很少,对其舞台的描述也很有限。本章展示了学生如何使用语料库语言和空间分析工具,如Voyant, Antconc和Tagxedo来恢复被忽视的一个世纪的美国戏剧。学生们发现,使用数字工具进行文本分析、绘图和网络可视化,激发了关于19世纪戏剧的新学术思想。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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