The Jazz Kings and Other Spin-Off Groups

Howard Rye
{"title":"The Jazz Kings and Other Spin-Off Groups","authors":"Howard Rye","doi":"10.5406/BLACMUSIRESEJ.30.1.0085","DOIUrl":null,"url":null,"abstract":"The band known to history as The Jazz Kings is the best known of the many groups formed by former members of the Southern Syncopated Orchestra in London after their departure from the orchestra. This is largely because New Orleans clarinetist Sidney Bechet was a member (see Figure 1). The Jazz Kings had an intimate but still not fully elucidated relationship with the twelve-piece group which George Lattimore had previously supplied to the Portman Rooms under the leadership of Frank Withers. It is not absolutely certain when this engagement began. The Tatler reported in its issue of September 10, 1919 (no. 950, xiv, \"Round and About Notes\") that \"a The Dansant will be held daily from 3.30 to 6.00 p.m. and the evening functions are timed from 8.30 to 12 midnight. A special feature of the Portman dances will be the continuous double band, ensuring an uninterrupted flow of music. The Portman Rooms contain one of the finest ball-rooms in London, which is capable of accommodating 800 dancers.\" The Tatler does not mention the Portman Syncopated Orchestra by name until the issue of October 15, 1919 (no. 955, xii, \"Round and About Notes\") by which time the The Dansant was not starting until 4:00 p.m. However Town Topics had already reported (October 11, 1919, 2, \"Shows and Autre Choses\") that \"so great was the crowd that the large salon, accommodating 800 dancers, was found to be insufficient, and the overflow found its way into the smaller salon, where the services of a second band of the Portman Syncopated Orchestra had to be requisitioned.\" There is no real clue how this is to be interpreted. Evening dress or uniform was essential at night. During the afternoon sessions, dance instruction was given by M. Jean Castanet. The October 1919 issue of London Amusement Guide (hereafter LAG) (i/6, 34, \"Dancing Notes\") described the orchestra as \"a combination of New York dance players, who are not only excellent musicians, but sweet singers as well.\" [FIGURE 1 OMITTED] The only known members of the orchestra or orchestras at the Portman Rooms are trombonist Frank Withers, reported as the leader by Norris Smith (Chicago Defender, January 30, 1920, 7), saxophonists Mazie Mullins Withers and Fred Coxito, violinist George Mitchell Smith, and banjoist Henry Saparo. The last three referred to their membership in the course of affidavits sworn in Lattimore's various legal cases (see Rye 2009). It was reported by LAG for December 1919 (i/8, 44, \"Dancing Notes\") that beginning on December 1 the dances would require membership, and members and guests only would be admitted. The evening sessions would in future run from 9:00 p.m. to 2:30 a.m. Soon afterwards the management decided to dispense with the services of the African Americans, and the musicians arrived for work on December 20 only to be informed by the manager, Mr. Rockover, that their services were no longer required (Chancery Division 1920 L No. 175, Affidavit 99). Lattimore himself said he was approached on that same day to provide a band for the Embassy Club (Chancery Division 1920 L No. 175, Affidavit 79), but Benny Peyton testified that Lattimore approached him on December 18 (Chancery Division 1920 L No. 175, Affidavit 96), which must be true if, as Peyton stated, Lattimore declined to entertain the personnel suggested by Peyton because some of them were working in the band at the Portman Rooms. The engagement was originally intended to start on December 22 and run for three weeks but in the event the opening was postponed until New Year's Eve. 31 Dec 19 Opened at Embassy Club, 6-8 Old Bond Street, London [Chancery Division 1920 L No. 175, Affidavit 96; confirmed by Dancing Times, January 2920], billed as \"The Syncopated Orchestra.\" Original personnel: Sidney Bechet, clarinet; Fred Coxito, alto saxophone; George Mitchell Smith, violin; Pierre DeCaillaux, piano; Henry Saparo, banjo; Benny Peyton, drums. 19 Jan 20 Band transferred from Lattimore's management to DeCourville's (i. …","PeriodicalId":354930,"journal":{"name":"Black Music Research Journal","volume":"51 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2010-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Black Music Research Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/BLACMUSIRESEJ.30.1.0085","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

Abstract

The band known to history as The Jazz Kings is the best known of the many groups formed by former members of the Southern Syncopated Orchestra in London after their departure from the orchestra. This is largely because New Orleans clarinetist Sidney Bechet was a member (see Figure 1). The Jazz Kings had an intimate but still not fully elucidated relationship with the twelve-piece group which George Lattimore had previously supplied to the Portman Rooms under the leadership of Frank Withers. It is not absolutely certain when this engagement began. The Tatler reported in its issue of September 10, 1919 (no. 950, xiv, "Round and About Notes") that "a The Dansant will be held daily from 3.30 to 6.00 p.m. and the evening functions are timed from 8.30 to 12 midnight. A special feature of the Portman dances will be the continuous double band, ensuring an uninterrupted flow of music. The Portman Rooms contain one of the finest ball-rooms in London, which is capable of accommodating 800 dancers." The Tatler does not mention the Portman Syncopated Orchestra by name until the issue of October 15, 1919 (no. 955, xii, "Round and About Notes") by which time the The Dansant was not starting until 4:00 p.m. However Town Topics had already reported (October 11, 1919, 2, "Shows and Autre Choses") that "so great was the crowd that the large salon, accommodating 800 dancers, was found to be insufficient, and the overflow found its way into the smaller salon, where the services of a second band of the Portman Syncopated Orchestra had to be requisitioned." There is no real clue how this is to be interpreted. Evening dress or uniform was essential at night. During the afternoon sessions, dance instruction was given by M. Jean Castanet. The October 1919 issue of London Amusement Guide (hereafter LAG) (i/6, 34, "Dancing Notes") described the orchestra as "a combination of New York dance players, who are not only excellent musicians, but sweet singers as well." [FIGURE 1 OMITTED] The only known members of the orchestra or orchestras at the Portman Rooms are trombonist Frank Withers, reported as the leader by Norris Smith (Chicago Defender, January 30, 1920, 7), saxophonists Mazie Mullins Withers and Fred Coxito, violinist George Mitchell Smith, and banjoist Henry Saparo. The last three referred to their membership in the course of affidavits sworn in Lattimore's various legal cases (see Rye 2009). It was reported by LAG for December 1919 (i/8, 44, "Dancing Notes") that beginning on December 1 the dances would require membership, and members and guests only would be admitted. The evening sessions would in future run from 9:00 p.m. to 2:30 a.m. Soon afterwards the management decided to dispense with the services of the African Americans, and the musicians arrived for work on December 20 only to be informed by the manager, Mr. Rockover, that their services were no longer required (Chancery Division 1920 L No. 175, Affidavit 99). Lattimore himself said he was approached on that same day to provide a band for the Embassy Club (Chancery Division 1920 L No. 175, Affidavit 79), but Benny Peyton testified that Lattimore approached him on December 18 (Chancery Division 1920 L No. 175, Affidavit 96), which must be true if, as Peyton stated, Lattimore declined to entertain the personnel suggested by Peyton because some of them were working in the band at the Portman Rooms. The engagement was originally intended to start on December 22 and run for three weeks but in the event the opening was postponed until New Year's Eve. 31 Dec 19 Opened at Embassy Club, 6-8 Old Bond Street, London [Chancery Division 1920 L No. 175, Affidavit 96; confirmed by Dancing Times, January 2920], billed as "The Syncopated Orchestra." Original personnel: Sidney Bechet, clarinet; Fred Coxito, alto saxophone; George Mitchell Smith, violin; Pierre DeCaillaux, piano; Henry Saparo, banjo; Benny Peyton, drums. 19 Jan 20 Band transferred from Lattimore's management to DeCourville's (i. …
爵士之王和其他衍生乐队
历史上被称为爵士之王的乐队是由伦敦南方切分管弦乐团的前成员在离开乐团后组建的许多乐队中最著名的一个。这在很大程度上是因为新奥尔良单簧管演奏家西德尼·贝克特(Sidney Bechet)是其中的一员(见图1)。爵士之王与乔治·拉蒂莫尔(George lattimmore)之前在弗兰克·威瑟斯(Frank Withers)的领导下为波特曼厅(Portman Rooms)提供的12人乐队有着亲密但仍未完全澄清的关系。这次交战是什么时候开始的还不能绝对确定。《闲谈者》在1919年9月10日的那期杂志上报道了950, xiv, "Round and About Notes"), " The Dansant将于每天下午3时30分至6时举行,晚间活动时间为午夜8时30分至12时。波特曼舞蹈的一个特别之处将是连续的双乐队,确保音乐不间断地流动。波特曼舞厅是伦敦最好的舞厅之一,可容纳800名舞者。”《八卦者》直到1919年10月15日才提到波特曼切分音乐团的名字。955, xii,“Round and About Notes”),而此时《丹桑特》直到下午4点才开始。然而,Town Topics已经报道过(1919年10月11日,第2期,“show and Autre Choses”),“观众太多了,容纳800名舞者的大沙龙已经不够用了,拥挤的人群进入了较小的沙龙,在那里不得不申请波特曼切分音管弦乐队的第二支乐队。”没有真正的线索来解释这一点。晚礼服或制服在夜间是必不可少的。在下午的课程中,舞蹈指导由Jean Castanet先生讲授。1919年10月出版的《伦敦娱乐指南》(以下简称《LAG》)(第6期,第34期,“舞蹈笔记”)将该乐团描述为“纽约舞蹈演员的结合体,他们不仅是优秀的音乐家,而且是甜美的歌手。”[图1略)在波特曼房间的管弦乐队中,已知的成员只有长号手弗兰克·威瑟斯,诺里斯·史密斯(1920年1月30日,《芝加哥后卫》,第7期),萨克斯管手马齐·穆林斯·威瑟斯和弗雷德·科西托,小提琴手乔治·米切尔·史密斯和班卓琴手亨利·萨帕罗。最后三个提到他们的成员在宣誓证词在拉蒂莫尔的各种法律案件(见拉伊2009)。据拉丁美洲联盟1919年12月报告(i/ 8,44,“舞蹈笔记”),从12月1日开始,舞会需要会员参加,只允许会员和客人参加。晚间会议今后将从晚上9时至凌晨2时30分举行。不久之后,管理层决定取消非裔美国人的服务,12月20日,乐师们来上班,却被经理罗克弗先生告知不再需要他们的服务(衡平法司1920 L no . 175,宣誓书99)。拉蒂摩尔自己说,同一天有人找他为大使馆俱乐部提供一支乐队(大法官部1920 L第175号,宣誓书79),但本尼·佩顿作证说,拉蒂摩尔在12月18日找他(大法官部1920 L第175号,宣誓书96),这肯定是真的,如果,正如佩顿所说,拉蒂摩尔拒绝招待佩顿建议的人员,因为他们中的一些人在波特曼房间的乐队工作。订婚仪式原定于12月22日开始,为期三周,但最终被推迟到新年前夕。19年12月31日在伦敦老邦德街6-8号大使馆俱乐部开幕[大法官处1920 L No. 175,宣誓书96;《舞蹈时代》(Dancing Times)证实,1929年1月),被称为“切分管弦乐队”。原创人员:Sidney Bechet,单簧管;弗雷德·科西托,中音萨克斯;小提琴演奏家乔治·米切尔·史密斯;皮埃尔·德卡约,钢琴;亨利·萨帕罗,班卓琴;本尼·佩顿,鼓手。20年1月19日Band从lattimmore的管理层转到DeCourville的管理层(网址:. ...)
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