“Search and Destroy”

Jay Beck
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Abstract

Punk rock, as a movement within popular music, sought to differentiate itself from prior forms of commercial rock in both sound and attitude. Anti-corporate and anti-consumerist in orientation, punk’s guiding maxim of “do it yourself” was about taking control of the means of production and shifting the musical form outside of the nexus of capitalism. This chapter examines the resultant effects and contradictions surrounding the use of punk music in television advertisements from the 1990s to the 2010s. The advertising industry initially kept their distance from punk until after the self-appointed architect of punk style, Malcolm McLaren, began writing original music for ads in 1990. From Iggy Pop seducing Royal Caribbean customers to The Clash hawking Jaguars, punk has proven to be a lucrative way for advertisers to connect to a demographic group who define themselves as anti-consumerist.
“搜索和销毁”
朋克摇滚作为流行音乐中的一种运动,试图在声音和态度上与之前的商业摇滚形式区分开来。在反企业和反消费主义的方向上,朋克的指导原则是“自己动手”,即控制生产方式,将音乐形式转移到资本主义关系之外。本章考察了从20世纪90年代到2010年代在电视广告中使用朋克音乐所产生的影响和矛盾。广告业最初与朋克保持距离,直到自封为朋克风格设计师的马尔科姆·麦克拉伦(Malcolm McLaren)在1990年开始为广告创作原创音乐。从伊基·波普(Iggy Pop)吸引皇家加勒比(Royal Caribbean)的顾客,到冲撞乐队(The Clash)兜售美洲虎(Jaguars),朋克已被证明是广告商与反消费主义人群建立联系的一种有利可图的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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