“Institutionalized States of Information Abstinence”

Kathleen A. Hare
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引用次数: 1

Abstract

In this study, I provide applied examples of using cut-up poetic inquiry as an arts-based research method for analyzing erasure poetry. The erasure poetry was composed by five poet-participants and me during a sensory ethnography that explored embodied experiences of a sexual educator training program. I first overview erasure poetics in the context of sexuality education. I explain how erasure poetry as method can interrupt authoritative proclamations of truth, while also providing a technique to grapple with complex, corporeal data – central topics in sex education research. I then theorize cut-up poetic inquiry as an additional form of erasure, asking and illustrating how the processes of cut-up can distill information to enable emergent analytic insights in the context of my research. Throughout, I meditate on how erasure poetry as an arts- based research method can contribute to discussions of language, discourse, and embodiment in sex education research.
“信息节制的制度化状态”
在本研究中,我提供了将切割诗歌探究作为一种基于艺术的研究方法来分析擦除诗歌的应用实例。这首擦除诗是由我和五个诗人参与者在探索性教育者培训项目的具体经验的感官人种志中创作的。首先概述了性教育语境下的擦除诗学。我解释了擦除诗作为一种方法是如何打断权威的真理宣言的,同时也提供了一种技术来处理复杂的、有形的数据——性教育研究的中心主题。然后,我将切碎的诗歌探究理论化,作为一种额外的擦除形式,询问并说明切碎的过程如何提取信息,从而在我的研究背景下实现突发的分析见解。在整个过程中,我思考了擦除诗作为一种基于艺术的研究方法如何有助于性教育研究中的语言、话语和体现的讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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