{"title":"Women Journalists and Periodical Spaces","authors":"Joanne Shattock","doi":"10.3366/edinburgh/9781474433907.003.0019","DOIUrl":null,"url":null,"abstract":"In this essay, Joanne Shattock discusses Margaret Oliphant’s mid-century work at Blackwood’s Edinburgh Magazine alongside the work of two lesser-known journalists: Mary Howitt (1799–1888) and Eliza Meteyard (1816–79). All three contributed copy to ‘mainstream publications on a range of subjects far beyond those often assumed to be the preserve of women journalists in the period,’ with each woman also making her own distinctive contribution to Victorian journalism: Howitt as an editor, Meteyard as a pioneering figure in the nascent field of investigative journalism, and Oliphant as one of the most prolific reviewers of the period (p. 303). Shattock’s analysis of their careers demonstrates the productive and individuated ways in which female journalists carved out a space for their work and their voices in the masculine sphere of journalism.","PeriodicalId":174109,"journal":{"name":"Women, Periodicals and Print Culture in Britain, 1830s-1900s","volume":"162 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Women, Periodicals and Print Culture in Britain, 1830s-1900s","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474433907.003.0019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In this essay, Joanne Shattock discusses Margaret Oliphant’s mid-century work at Blackwood’s Edinburgh Magazine alongside the work of two lesser-known journalists: Mary Howitt (1799–1888) and Eliza Meteyard (1816–79). All three contributed copy to ‘mainstream publications on a range of subjects far beyond those often assumed to be the preserve of women journalists in the period,’ with each woman also making her own distinctive contribution to Victorian journalism: Howitt as an editor, Meteyard as a pioneering figure in the nascent field of investigative journalism, and Oliphant as one of the most prolific reviewers of the period (p. 303). Shattock’s analysis of their careers demonstrates the productive and individuated ways in which female journalists carved out a space for their work and their voices in the masculine sphere of journalism.