Conundrums of Comparison

S. Pollock
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引用次数: 4

Abstract

A bout five years ago I proposed to my friend Benjamin Elman, the Princeton intellectual historian of late-imperial China, that we consider organizing a comparative project on China and India. This was not my first foray into comparative studies; I had actually done an earlier project with Ben on the comparative intellectual history of the early-modern world and had thought comparatively about India and Rome in the Classical period for a book on Sanskrit cosmopolitanism published a decade ago. Why I persist in such enterprises when, as you’ll hear, comparison so befuddles me I can’t fully explain. But nowhere I amagain presenting ideas I amvery uncertain of, someof themcontainingwords I cannot evenpronounce. My befuddlement with comparison is primarily methodological and epistemological in nature. But I’m also befuddled by its stunted presence in our disciplinary discourses—the first of several conundrums I want to share here. This is palpably the case in comparative literature, which seems embarrassed and annoyed by the category baked into its academic identity. But theproblem isnotpeculiar to that field. Actually the disquiet with comparison seems to be ubiquitous—
比较的难题
大约五年前,我向我的朋友本杰明·埃尔曼(Benjamin Elman)提议,我们可以考虑组织一个关于中国和印度的比较项目。埃尔曼是普林斯顿大学研究帝国晚期中国的知识分子历史学家。这不是我第一次尝试比较研究;实际上,我和本一起做了一个早期现代世界的比较思想史的项目,并在十年前出版的一本关于梵语世界主义的书中对古典时期的印度和罗马进行了比较研究。我为什么坚持这样的事业,你会听到,比较使我如此困惑,我无法完全解释。但我又没有在任何地方提出我非常不确定的想法,其中有些词我甚至不会发音。我对比较的困惑本质上主要是方法论和认识论的。但我也对它在我们的学科话语中的迟缓存在感到困惑——这是我想在这里分享的几个难题中的第一个。比较文学显然就是这种情况,它似乎对这一根植于其学术身份中的类别感到尴尬和烦恼。但这个问题并不是该领域独有的。实际上,这种因比较而产生的不安似乎无处不在
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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