Classification of a Funerary Model

G. Barker
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Abstract

The three-dimensional funerary models housed in burial chambers of the late Old Kingdom to the end of the Middle Kingdom display a number of similarities with the so-called scenes of daily life on tomb-chapel walls. A comparison of the two media can help to classify otherwise unidentifiable artworks. One such model, housed in the Musee des Beaux-Arts de Lyon, displays many parallels with scenes depicting the theme of the rendering of accounts. This article examines these similarities in order to determine if the model should rightly be understood as a representation of this theme. http://dx.doi.org/10.5913/jarce.55.2019.a001
丧葬模型的分类
古王国晚期到中王国末期的墓室里的三维丧葬模型与墓堂墙壁上所谓的日常生活场景有许多相似之处。对这两种媒介进行比较可以帮助我们对难以辨认的艺术品进行分类。在里昂美术博物馆(Musee des Beaux-Arts de Lyon)收藏的一个这样的模型中,展示了许多与描绘账目渲染主题的场景相似之处。本文考察了这些相似之处,以确定该模型是否应该被正确地理解为这一主题的代表。http://dx.doi.org/10.5913/jarce.55.2019.a001
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