Before Truth: Walter Benjamin's "Epistemo-Critical Prologue"

Kristina Mendicino
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引用次数: 4

Abstract

Walter Benjamin's distinction of truth from knowledge in his "Epistemo-Critical Prologue" marks a fundamental break with the truth claims of the empirical sciences, as well as those of any system of philosophy—phenomenological, neo-Kantian, or otherwise— that would be based on conscious cognition. Instead he renders the truth of philosophy as a question of presentation, beginning with one of the most famous propositions of his oeuvre: "It is proper to philosophical writing to stand, with every turn, before the question of presentation anew." Many commentators have cited this passage, yet few pursue the way Benjamin situates philosophical writing before the question of presentation, thereby suggesting that this question cannot be asked. In this essay, I elaborate the epistemological and ontological consequences of the displacements Benjamin stages between presentation and writing, through an attentive reading to the idioms of his own writerly presentation.
在真理之前:瓦尔特·本雅明的“知识批判序言”
沃尔特·本雅明在他的《认识论-批判序言》中将真理与知识区分开来,这标志着与经验科学以及任何基于意识认知的哲学体系——现象学、新康德主义或其他哲学体系——的真理主张的根本决裂。相反,他把哲学的真理呈现为一个呈现的问题,从他的作品中最著名的命题之一开始:“对于哲学写作来说,每一次都站在呈现的问题之前是恰当的。”许多评论家都引用了这段话,但很少有人遵循本雅明将哲学写作置于呈现问题之前的方式,从而暗示这个问题不能被提出。在这篇文章中,我详细阐述了本雅明在表现和写作之间的位移的认识论和本体论后果,通过仔细阅读他自己的作家表现的习语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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