Come Over Here

S. Smith
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引用次数: 0

Abstract

Steiner’s promising career in Vienna was dealt a major blow when his father, Gabor, declared bankruptcy in 1908. With the family now hounded by creditors, 20-year-old Max embarked on a new life in London. This chapter follows Steiner from 1908 to 1914, charting another swift professional rise—his time as an orchestrator and musical director—that was again marred by events beyond his control. In 1912, Steiner’s return to Vienna to manage the Ronacher Theater, a failing venture of Gabor’s, ended in Max’s brief imprisonment. (Financial mismanagement would be a recurring motif in his life.) And in 1914, World War I changed the Austro-Hungarian composer’s status in Britain to that of “enemy alien.” But before he moved to yet another country, Steiner’s work in British theater would refine his ability to write supportive “underscore” for stage performers, which would serve him well years later in Hollywood.
过来
1908年,施泰纳的父亲加博尔宣布破产,这给他在维也纳前途无量的事业带来了重大打击。由于债主的纠缠,20岁的马克斯在伦敦开始了新的生活。这一章讲述了施泰纳从1908年到1914年的经历,描绘了他作为一名管弦乐家和音乐导演的另一段职业生涯的迅速崛起,但这段经历再次被他无法控制的事件所破坏。1912年,施泰纳回到维也纳管理罗纳彻剧院,这是加伯的一个失败的冒险,最终导致马克斯被短暂监禁。(财务管理不善是他生活中反复出现的主题。)1914年,第一次世界大战使这位奥匈帝国作曲家在英国的地位变成了“敌国侨民”。但在他搬到另一个国家之前,斯坦纳在英国剧院的工作磨练了他为舞台演员写支持性“下划线”的能力,这对他多年后在好莱坞很有帮助。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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