An enhanced autosegmental-metrical theory (AM+) facilitates phonetically transparent prosodic annotation

Laura C. Dilley, Mara Breen
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引用次数: 4

Abstract

The application of autosegmental theory to a variety of tonal systems in the past 40 years has spurred a wealth of insight. The application of this theory to intonation languages spawned a family of transcription approaches known as Tones and Break Indices, or ToBI. This general theoretic framework, informed by metrical stress theory, has come to be known as autosegmental-metrical (AM) theory. Yet, a number of weaknesses and limitations have been noted, both at the theoretical and empirical levels. We argue that core limitations in the traditional AM theoretic approach can be traced clearly to a failure to consistently and transparently encode syntagmatic relationships in phonology. Building on the core insights of traditional AM theory, and drawing on empirical evidence about cognitive representations for pitch from phonetics, music cognition, music theory, and cognitive neuroscience, we propose a new theoretic approach, termed enhanced AM theory, or AM+. This proposal offers a theoretical clarification of syntagmatic elements in phonology. It is shown that attributing both syntagmatic and paradigmatic properties to tones provides a unifying account of multiple outstanding challenges in tone and intonation research that have not yet found a satisfactory explanation.
增强的自分音格律理论(AM+)促进了语音透明的韵律注释
在过去的40年里,自分音理论在各种音调系统中的应用激发了丰富的见解。这一理论在语调语言中的应用催生了一系列被称为音调和中断指数(ToBI)的转录方法。这种一般的理论框架,以应力测量理论为依据,已被称为自分段测量(AM)理论。然而,在理论和经验两方面都注意到一些弱点和局限性。我们认为,传统AM理论方法的核心局限性可以清楚地追溯到未能一致和透明地编码音韵学中的组合关系。基于传统调幅理论的核心见解,并借鉴语音学、音乐认知、音乐理论和认知神经科学中关于音高认知表征的经验证据,我们提出了一种新的理论方法,称为增强调幅理论,或AM+。这一建议从理论上澄清了音系学中的组合要素。研究表明,将声调的组合性和聚合性都归为声调和语调研究中尚未找到令人满意的解释的多个突出挑战提供了一个统一的解释。
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