Literary and Visual Forms of a Domestic Devotion: The Rosary in Renaissance Italy

E. Ardissino
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Abstract

The Rosary is one of the most widely practiced forms of domestic devotion in modern Italy. Literature and cinema document the deep penetration of this form of prayer into the culture and lives of Catholic Italians. The Rosary, how-ever, is not rooted in the ancient past, as some other prayers are; the practice dates to the late fifteenth century, and became widely diffused in the sixteenth and seventeenth centuries. The period of the spread of Rosary was one Italy characterised by prominence places cultures, defining intellectual professions and political theories of of laity in intellectual and social life, new religious doctrines, formation European confessionalism. some char-acterized the early modern played a role in the development and spread of the devotional practice under consideration. I would particularly underline the importance of printing, the role of the laity, the Reformation, and open confrontation between different peoples, religions and cultures (with the con-sequence that many commercial routes and forms of labour and production were altered dramatically), as fundamental elements that contributed to the spread of the Rosary.
家庭奉献的文学和视觉形式:意大利文艺复兴时期的玫瑰经
玫瑰经是现代意大利最广泛实践的家庭奉献形式之一。文学和电影记录了这种祈祷形式对意大利天主教文化和生活的深刻渗透。然而,玫瑰经并不像其他一些祈祷那样根植于古老的过去;这种做法可以追溯到15世纪晚期,并在16世纪和17世纪广泛传播。玫瑰经在意大利传播的时期,以突出的地方文化为特征,定义了知识分子职业和平信徒在知识和社会生活中的政治理论,新的宗教教义,形成了欧洲的忏悔主义。一些特征的早期现代发挥了作用的发展和传播的虔诚实践的考虑。我要特别强调印刷术的重要性、平信徒的角色、宗教改革以及不同民族、宗教和文化之间的公开对抗(其结果是许多商业路线和劳动和生产形式发生了巨大变化),这些都是促进玫瑰经传播的基本因素。
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