ROBERT CRUMB AND THE ART OF COMICS

David Huxley
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引用次数: 1

Abstract

A distinctive feature of Robert Crumb’s career has been the early, and continuing, interest in his work from art critics and the art museum. His work features in the journal Art and Artists as early as 1969, and in 1972 art critic Robert Hughes described him as “a kind of American Hogarth.” More recently Bart Beaty has pointed out that Crumb holds a unique position for a comic book artist, that “on the basis of specifically art-world prestige, Crumb is an elite cartoonist.” In this chapter, David Huxley analyzes the way in which Crumb’s drawing style developed, through his early influences from American comic strips artists such as Rube Goldberg, to a series of stylistic changes over a forty-year period. It also examines Crumb’s influence, both in terms of style and content on early underground comix and graphics, and the subsequent rise of autobiographical comics.
罗伯特·克拉姆和漫画艺术
罗伯特·克拉姆职业生涯的一个显著特点是,艺术评论家和艺术博物馆对他的作品很早就产生了持续的兴趣。早在1969年,他的作品就在《艺术与艺术家》杂志上发表,1972年,艺术评论家罗伯特·休斯(Robert Hughes)将他描述为“一种美国贺加斯”。最近巴特·比蒂(Bart Beaty)指出,克拉姆在漫画艺术家中占有独特的地位,“特别是在艺术界的声望基础上,克拉姆是一位精英漫画家。”在这一章中,大卫·赫胥黎分析了克拉姆的绘画风格是如何发展的,通过他早期受到美国漫画艺术家如鲁布·戈德堡的影响,到四十年来一系列的风格变化。它还考察了克拉姆在风格和内容上对早期地下漫画和图形的影响,以及随后兴起的自传体漫画。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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