{"title":"Visualization and sonification of methods","authors":"N. Mirenkov","doi":"10.1109/AISPAS.1995.401354","DOIUrl":null,"url":null,"abstract":"An approach supporting a new programming philosophy and a way of developing the corresponding technology are presented. The idea behind the approach is making use of animation films as communication units for computer-human dialog. These films have their own sets of figures, sounds, colors and their own \"shape\" of the movement. Users recognize the units due to a combination of all these features. Each film is related to series of frames (computational steps) and reflects some knowledge about data processing. Each frame highlights a substructure of data for which operations should be specified. As a rule, this substructure is a set of points and/or moving objects in a multidimensional space-time. To specify a problem a user employs: modification of the system films, composition of these films, seeing a film being created, etc. The corresponding program (sequential or parallel) is generated automatically.<<ETX>>","PeriodicalId":321580,"journal":{"name":"Proceedings the First Aizu International Symposium on Parallel Algorithms/Architecture Synthesis","volume":"33 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1995-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"9","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings the First Aizu International Symposium on Parallel Algorithms/Architecture Synthesis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/AISPAS.1995.401354","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 9
Abstract
An approach supporting a new programming philosophy and a way of developing the corresponding technology are presented. The idea behind the approach is making use of animation films as communication units for computer-human dialog. These films have their own sets of figures, sounds, colors and their own "shape" of the movement. Users recognize the units due to a combination of all these features. Each film is related to series of frames (computational steps) and reflects some knowledge about data processing. Each frame highlights a substructure of data for which operations should be specified. As a rule, this substructure is a set of points and/or moving objects in a multidimensional space-time. To specify a problem a user employs: modification of the system films, composition of these films, seeing a film being created, etc. The corresponding program (sequential or parallel) is generated automatically.<>