{"title":"Cinematic Journeys to the Source","authors":"Lisa Òsunlétí Beckley-Roberts","doi":"10.1093/oxfordhb/9780190659806.013.21","DOIUrl":null,"url":null,"abstract":"“Cinematic Journeys to the Source: Music Repatriation to Africa in Film” critically explores four documentary films that feature the repatriation of a musician or group of musicians to Africa. More specifically, it asserts that for these artists, their music has created the opportunity for both them and their audience to collectively remember an African past and either consciously or subconsciously is the metaphorical site of repatriation before the physical travel takes place. The author argues that music communities emotionally repatriate through their participation in music making and that in turn makes physical repatriation possible. The chapter makes these points by exploring the concepts of memory, identity, and performance of ethnicity. The films, They Are We, by Emma Christopher; Throw Down Your Heart, starring Béla Fleck, by Sascha Paladino; Feel Like Going Home, which stars Corey Harris, by Martin Scorsese; and Search for the Everlasting Coconut Tree, starring and directed by Adimu Madyun are reviewed based on their contribution to the ongoing dialogue about the negotiation of relationships between Africans and African Americans, perceived healing of the trauma of the trans-Atlantic trade of enslaved people and the lasting effects of it, and the role that music has played in pursuit of achievement of these goals.","PeriodicalId":345881,"journal":{"name":"The Oxford Handbook of Musical Repatriation","volume":"106 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of Musical Repatriation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxfordhb/9780190659806.013.21","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
“Cinematic Journeys to the Source: Music Repatriation to Africa in Film” critically explores four documentary films that feature the repatriation of a musician or group of musicians to Africa. More specifically, it asserts that for these artists, their music has created the opportunity for both them and their audience to collectively remember an African past and either consciously or subconsciously is the metaphorical site of repatriation before the physical travel takes place. The author argues that music communities emotionally repatriate through their participation in music making and that in turn makes physical repatriation possible. The chapter makes these points by exploring the concepts of memory, identity, and performance of ethnicity. The films, They Are We, by Emma Christopher; Throw Down Your Heart, starring Béla Fleck, by Sascha Paladino; Feel Like Going Home, which stars Corey Harris, by Martin Scorsese; and Search for the Everlasting Coconut Tree, starring and directed by Adimu Madyun are reviewed based on their contribution to the ongoing dialogue about the negotiation of relationships between Africans and African Americans, perceived healing of the trauma of the trans-Atlantic trade of enslaved people and the lasting effects of it, and the role that music has played in pursuit of achievement of these goals.
“追本溯源的电影之旅:电影中的音乐回归非洲”批判性地探讨了四部以音乐家或一群音乐家返回非洲为特色的纪录片。更具体地说,它断言,对这些艺术家来说,他们的音乐为他们和他们的听众创造了一个机会,让他们集体记住非洲的过去,并且在实际旅行发生之前,有意识或潜意识地成为遣返的隐喻场所。作者认为,音乐社区通过参与音乐创作来实现情感上的回归,这反过来又使物理上的回归成为可能。本章通过探索记忆、身份和种族表现的概念来阐述这些观点。电影《他们是我们》,艾玛·克里斯托弗;《抛下你的心》(Throw Down Your Heart),由萨沙·帕拉迪诺(Sascha Paladino)主演,巴萨姆拉·弗莱克(b la Fleck);《回家的感觉》,由科里·哈里斯主演,马丁·斯科塞斯执导;以及由Adimu Madyun主演和导演的《寻找永恒的椰子树》是基于他们对非洲人和非裔美国人之间关系谈判的持续对话的贡献,对跨大西洋奴隶贸易创伤的治愈以及它的持久影响,以及音乐在追求这些目标的实现中所扮演的角色。