Garbage Truck Music and Sustainability in Contemporary Taiwan

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Abstract

Garbage in Taiwan is at the center of a musical assemblage that resonates beyond the waste collection soundscape. Taiwanese garbage trucks are musical: Badarzewska's Maiden's Prayer or Beethoven's För Elise announce the brigade's arrival at designated times and pick up locations. Neighbors stream into the street for a turn at depositing their presorted waste into the proper receptacles. Taiwan's semi-tropical climate combined with a densely situated human population, and the presence of well-established rat and cockroach populations, combine to make garbage management a matter of daily urgency. This chapter takes Taiwan's pop music, primarily Mandopop, from the early 1980s through the mid-2010s as evidence of ways in which everyday practices aimed at dealing sustainably with household waste have seeped into a wide range of sensibilities.
当代台湾垃圾车音乐与永续发展
台湾的垃圾是一个音乐组合的中心,它超越了垃圾收集的音景。台湾的垃圾车很有音乐感:巴达尔泽夫斯卡的《少女祷文》或贝多芬的《För》,伊莉斯会在指定的时间和地点宣布垃圾车的到来。邻居们络绎不绝地来到街上,轮流把他们预先安排好的垃圾放入合适的容器里。台湾的亚热带气候,加上密集的人口,以及老鼠和蟑螂的存在,使得垃圾管理成为每天的紧急事项。本章以台湾流行音乐(主要是国语流行音乐)为例,从20世纪80年代初到2010年代中期,证明旨在可持续处理家庭垃圾的日常做法已经渗透到广泛的情感中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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