Conservation of a nineteenth-century set design by Clarkson Stanfield

Susan Catcher
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Abstract

Summary The acquisition of the Bagshawe Collection by the Victoria and Albert (V&A) Museum in 2000, comprising 80 newly discovered working designs and model pieces provides an important insight into the working methods of Clarkson Stanfield during his time in the Theatres Royal, Drury Lane and Covent Garden scene rooms. The mixed-media backdrop design of Handel's Acis and Galatea demonstrates a very modern approach in the use of materials and the immediacy of their depiction. The conservation required collaboration from many departments within the museum and enabled a new use of isinglass butterfly stitches to be developed. The eventual storage solution of individually shaped Plastazote® foam trays provided support for the many fragile pieces. These trays were then enclosed in acid-free corrugated board boxes that allowed for the stabilizing of environmental conditions.
克拉克森·斯坦菲尔德(Clarkson Stanfield)设计的19世纪布景的保存
2000年,维多利亚和阿尔伯特博物馆(V&A)收购了巴格肖收藏,其中包括80件新发现的工作设计和模型作品,这为克拉克森·斯坦菲尔德在皇家剧院、德鲁里巷和考文特花园场景室工作期间的工作方法提供了重要的见解。亨德尔的《阿西斯和加拉蒂亚》的混合媒介背景设计在材料的使用和描述的即时性方面展示了一种非常现代的方法。保护工作需要博物馆内许多部门的合作,并使鱼片蝴蝶针的新用途得以开发。单个形状的Plastazote®泡沫托盘的最终存储解决方案为许多易碎件提供了支持。然后将这些托盘封闭在无酸瓦楞纸板盒中,以稳定环境条件。
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