Pastourelle Encounters

Carissa M. Harris
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Abstract

This chapter moves from exploring obscenity's role among men to focus on its relationship to sexual violence in pastourelles. It shows how women's obscenity has the potential to disrupt rape narratives and educate audiences about consent and power. By outlining the two poems — All to lufe and not to fenyi in the Bannatyne Manuscript and The Flyting of Dunbar and Kennedy, the chapter illustrates two ways that Middle English and Middle Scots literary texts engage with rape. In some texts, women's experiences of violation are not the chief focus, and we rarely hear from the victim herself. Instead, rape functions as a literary trope. The chapter argues that pastourelles are centrally concerned with women's experiences of the threat of sexual violence, and their female speakers articulate resistance, fear, anguish, and anger in response to that threat. Echoing the rape-prevention strategies of female-voiced conduct texts, the chapter reveals how pastourelles show how fictive female voices were imagined as educating young women about how best to navigate life as embodied subjects in a world where assault is an ever-present possibility.
edoc Pastourelle
本章从探讨猥亵在男性中的角色转向关注它与肉酱中的性暴力的关系。它表明,女性的淫秽行为有可能扰乱强奸叙事,并教育观众关于同意和权力的概念。通过概述这两首诗《Bannatyne手稿》和《邓巴和肯尼迪的飞翔》都是献给生命而不是献给芬尼,这一章说明了中世纪英语和中世纪苏格兰文学文本涉及强奸的两种方式。在一些文本中,女性遭受侵犯的经历并不是主要焦点,我们很少听到受害者本人的声音。相反,强奸是一种文学修辞。这一章认为,pastourelles主要关注的是女性遭受性暴力威胁的经历,她们的女性演讲者表达了对这种威胁的抵抗、恐惧、痛苦和愤怒。这一章与女性发声的行为文本的强奸预防策略相呼应,揭示了pastourelles如何展示了虚构的女性声音是如何被想象成教育年轻女性的,告诉她们如何在一个随时都有可能受到侵犯的世界里,作为具体化的主体,最好地驾驭生活。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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