I Canti di Milosao di Girolamo De Rada: storia e struttura del poema

F. Altimari
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Abstract

The study deals with the complex and evocative history and genesis of De Rada’s first poem: Canti di Milosao. In the early nineteenth century historic scenario, in which Albania was reduced to a mere geographic expression within the Turkish-Ottoman Empire by centuries long oppressive foreign domination, the Italian-Albanian community (or Arbereshe) brought about an important movement of “awakening” of identity, better known as the movement of the “Rilindja” (Rebirth). The leading exponent of this literary movement was the Calabrian-Albanian Girolamo De Rada (1814-1903) who published in Naples in 1836 Canti di Milosao, when he was just twenty-two. The poem marks the entrance of Albanian literature into modernity and represents one of the highest literary expressions not only of Arberesh (Italian-Albanian) literature and of Albanian literature but also of all European romantic literature.
吉罗拉莫·德·拉达的米罗索的歌曲:这首诗的历史和结构
本研究探讨了德·拉达的第一首诗《百万之歌》(Canti di Milosao)复杂而令人回味的历史和起源。在19世纪早期的历史场景中,阿尔巴尼亚在长达几个世纪的外国压迫统治下沦为土耳其-奥斯曼帝国的一个纯粹的地理表达, 意大利-阿尔巴尼亚社区(或Arbereshe)带来了一场重要的身份“觉醒”运动,更广为人知的是“Rilindja”(重生)运动。这场文学运动的主要代表人物是卡拉布里亚裔阿尔巴尼亚人吉罗拉莫·德·拉达(1814-1903),1836年,年仅22岁的吉罗拉莫·德·拉达在那不勒斯出版了《米兰之歌》。这首诗标志着阿尔巴尼亚文学进入现代,不仅代表了意大利阿尔巴尼亚文学和阿尔巴尼亚文学,而且代表了所有欧洲浪漫主义文学的最高文学表达之一。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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