A Transformation of Leisure in the Architectural Imaginary: Could the Tiny House Movement Learn from Megastructuralism?

Berna Göl
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Abstract

Architecture culture inevitably revolves around the idea of leisure including its many connotations, such as recreation, reproduction, education, entertainment etc. As a concept, it not only corresponds to many spheres of everyday life, but also designates how time is being or should be spent via functions associated with architecture (such as leisure parks), through challenging architectural imagination (experimentation with pavilions or museums) as well as discourse built around particular examples of architecture. In the post-war world, leisure society was a prominent expression and had direct effects on architectural production through cultural centers, educational facilities and a vast range of public spaces that were meant to serve all individuals of society. On the other hand, leisure, arguably, is now being replaced by other ideas such as well-being or happiness. It is possible to observe a shift from a societal imaginary onto an individual one. This paper takes this shift in ideas around leisure and traces its possible extensions in the architectural culture via two trends in architecture: Megastructuralism and the tiny house movement. While the megastructralists of the 1960s imagined self-sufficient cities and communities, the tiny house movement of the past decade has been looking for self-sufficiency through singular houses/households. Departing from major texts such as Fumihiko Maki’s Collective Form (1964) or Reynar Banham’s Megastructures (1976) to old and new critical articles on the tiny house movement, this paper investigates references to leisure and ideas around it. It explores the tiny house movement and the megastructuralism; mapping their parallels in responding to crises of their era, their ways of experimenting and challenging architecture’s limits and finally aims to address what the two movements may display about one another as an attempt to enhance present architectural theory.
建筑想象中的休闲转换:微型住宅运动能否向巨型建筑主义学习?
建筑文化不可避免地围绕着休闲的理念展开,包括休闲、复制、教育、娱乐等诸多内涵。作为一个概念,它不仅对应于日常生活的许多领域,而且还通过与建筑相关的功能(如休闲公园),通过具有挑战性的建筑想象力(展馆或博物馆的实验)以及围绕特定建筑实例建立的话语来指定时间是如何或应该如何度过的。在战后世界,休闲社会是一种突出的表现形式,它通过文化中心、教育设施和广泛的公共空间对建筑生产产生了直接影响,这些空间旨在为社会的所有个体服务。另一方面,可以说,休闲现在正被其他概念所取代,如幸福或快乐。观察到从社会想象到个人想象的转变是可能的。本文将围绕休闲的观念进行转变,并通过建筑的两种趋势:巨型结构主义和微型住宅运动,追踪其在建筑文化中的可能延伸。当20世纪60年代的超级建筑主义者想象自给自足的城市和社区时,过去十年的小房子运动一直在通过单一的房屋/家庭寻求自给自足。从主要文本,如Fumihiko Maki的集体形式(1964)或Reynar Banham的Megastructures(1976),到关于小房子运动的新旧批评文章,本文调查了关于休闲和思想的参考文献。它探索了小房子运动和巨型建筑主义;映射他们在应对时代危机时的相似之处,他们的实验和挑战建筑极限的方式,最终旨在解决这两个运动可能展示的关于彼此的尝试,以增强当前的建筑理论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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