Det syge USA

Marianne Kongerslev, Clara Juncker
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Abstract

Acknowledging the significance of the COVID-19 pandemic as an exacerbating factor for precarious US communities, this article reads Tony Kushner’s critically acclaimed play Angels in America: A Gay Fantasia on National Themes (1992-95) and Michael Henson’s collection of short stories Maggie Boylan (2015) alongside Susan Sontag (Illness as Metaphor), Jasbir Puar (The Right to Maim) and Lauren Berlant (“Slow Death”). The play and the short story collection represent examples of critiques of a deep-rooted disorder that characterizes the precaritizing American social and political system. From the severely mishandled AIDS crisis in Reagan’s conservative United States to the equally disastrous management of the opioid and meth epidemics in the 21st century, American society and politicians are failing their citizens, a failure reflected in and critiqued by literary texts. Whereas Angels in America is an overtly political drama, in which marginalized people come together to respond to political erasure and violence with imaginative countercultural utopianism, Maggie Boylan traces the gradual decay and corruption of a contemporary American community, functioning as a microcosm of the Unites States as a whole. This society is plagued by several crippling “epidemics” and “crises” that leave bodies broken and communities in tatters. Despite glimmers of hope, Kushner and Henson paint a grim picture of a sickness at the core of American society.
鉴于2019冠状病毒病大流行是加剧美国社区不稳定的重要因素,本文阅读了托尼·库什纳广受好评的戏剧《美国天使:国家主题的同性恋幻想曲》(1992- 1995),以及迈克尔·汉森的短篇小说集《玛吉·博伊兰》(2015),还有苏珊·桑塔格(《疾病作为隐喻》)、贾斯比尔·普阿尔(《残疾的权利》)和劳伦·伯兰(《缓慢死亡》)。该剧和短篇小说集代表了对一种根深蒂固的混乱的批评,这种混乱是不稳定的美国社会和政治制度的特征。从里根执政时期保守的美国对艾滋病危机的严重处理不当,到21世纪对阿片类药物和冰毒流行的同样灾难性的管理,美国社会和政治家正在辜负他们的公民,这种失败反映在文学作品中,并受到文学作品的批评。《美国天使》是一部公开的政治戏剧,在这部戏剧中,边缘人群聚集在一起,用富有想象力的反文化乌托邦主义来回应政治抹除和暴力,而玛吉·博伊兰则追溯了当代美国社区的逐渐衰败和腐败,作为整个美国的一个缩影。这个社会受到几种严重的“流行病”和“危机”的困扰,这些流行病和危机使身体破碎,社区支离破碎。尽管有一线希望,但库什纳和汉森描绘了一幅美国社会核心疾病的严峻图景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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