Varia: The Enduring Power of the Classical World View

David Jenkins
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Abstract

For the poet, prophet, and politician, as for the lover, the king, and the anthropologist, the human is the measure of all things. Philosophers and psychologists define us as a perceiving consciousness, an object determined by the environment, a subject not only capable of heroic individualism but also of esoteric understanding. For some, our measure is beyond things and our true worth lies not only in the here and now but rather in our freedom to transcend the bounds of self and prevail beyond the limits of temporality. For the artist, whose creative consciousness aims to redeem the human image from the constraints of brute anonymity, the questions about our status must be asked if not finally answered. The article considers the role that the classical world view plays in the process of artistic redemption. It looks at the Judeo-Christian and Classical legacies and their interpretations. Nineteenth-century Russian literature and religious philosophy are then analysed. The article winds up with a reading of select poems by Osip Mandelstam as special attention is paid to the ethical stance of the poet when confronted with the dictates of totalitarian power.
瓦里亚:古典世界观的持久力量
对于诗人、预言家和政治家,对于情人、国王和人类学家,人是一切事物的尺度。哲学家和心理学家将我们定义为一种感知意识,一种由环境决定的客体,一种不仅具有英雄个人主义能力,而且具有深奥理解能力的主体。对一些人来说,我们的衡量标准超越了事物,我们真正的价值不仅在于此时此地,还在于我们超越自我界限和超越暂时限制的自由。对于艺术家来说,他的创作意识旨在将人类形象从野蛮的匿名性的约束中救赎出来,关于我们的地位的问题即使没有最终回答,也必须被问到。本文探讨了古典世界观在艺术救赎过程中所起的作用。它着眼于犹太-基督教和古典遗产及其解释。然后分析了19世纪的俄罗斯文学和宗教哲学。这篇文章以奥西普·曼德尔施塔姆的诗歌选集结尾,特别关注诗人在面对极权主义权力的命令时的道德立场。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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