Response-dependence and aesthetic realism: Zangwill and Pettit

Monika Jovanović
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Abstract

In this paper I discuss the application of the response-dependence thesis in aesthetics. When we apply this thesis in aesthetics, we arrive at the view that aesthetic properties are in some way, epistemologically or ontologically, dependent on the response of an observer. Even though all defenders of the response-dependence thesis adopt the same formula, they interpret it in different, even mutually incompatible ways. We can see how such contrasting readings can be widely divergent when we compare two well-known aesthetic papers which adhere to the response-dependence thesis: the Philip Pettit?s paper on the possibility of aesthetic realism, and the Nick Zangwill?s paper on the ontological status of beauty. After I critically examin and compare the views argued in these papers, I will try to answer a more general question of whether a response-dependence thesis, in its original form, can help us better understand the ontological and the epistemological status of aesthetic qualities.
反应依赖与审美现实主义:臧威尔与佩蒂特
本文讨论了反应依赖理论在美学中的应用。当我们将这一命题应用于美学时,我们会得出这样的观点,即美学属性在某种程度上,无论是认识论上还是本体论上,都取决于观察者的反应。尽管所有响应依赖理论的捍卫者都采用了同样的公式,但他们对它的解释却各不相同,甚至互不相容。当我们比较两篇著名的美学论文时,我们可以看到这种截然不同的阅读是如何大相径庭的,这两篇论文都坚持反应依赖理论:菲利普·佩蒂特?尼克·赞威尔(Nick Zangwill?论美的本体论地位。在我批判性地考察和比较这些论文中争论的观点之后,我将试图回答一个更普遍的问题,即反应依赖论文的原始形式是否可以帮助我们更好地理解美学品质的本体论和认识论地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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