Quintilian as a Literary Critic

Francisco Chico Rico
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Abstract

This chapter is devoted to the study of the Institutio oratoria as a complex space in which Quintilian, in addition to developing an education manual, a rhetorical treatise, and an essay on the orator’s moral duties and obligations, also includes theoretical reflections on literary criticism as well as analysis and assessments of specific literary works. In this sense, this chapter studies Quintilian as a literary critic. From a general and theoretical point of view, it reviews the relations established within the framework of the Institutio oratoria between literary criticism and poetarum enarratio, or exegesis of poetic texts, which should be practised by grammar students before continuing to the study of rhetoric. This review forces us to reconsider the question of the interdependence that exists between grammar and rhetoric as classical sciences of discourse. From an applicative and practical perspective, the chapter stresses the importance of Book 10 for a better knowledge of the literary critical analyses and evaluations that Quintilian makes of the most important works and authors of Greek and Roman literature, always in relation to its usefulness for the orator’s training through the exercise of reading and on the basis of the principle of imitation of literary models, which not only include poetic texts, but also historical, philosophical, and rhetorical texts. Finally, the chapter reviews the theory of Attic, Asianic, and Rhodian styles in Quintilian’s thinking and his defence of the one which, even defined by hybridization, best adapts itself to the pragmatic-communicative requirements of the rhetorical fact.
昆提连作为文学评论家
这一章致力于研究作为一个复杂空间的演讲机构,在这个空间里,昆提连除了发展了一本教育手册、一篇修辞论文和一篇关于演说家的道德责任和义务的文章之外,还包括对文学批评的理论反思,以及对具体文学作品的分析和评估。在这个意义上,本章将昆提连作为文学批评家来研究。从一般和理论的角度,它回顾了在学院框架内文学批评与诗歌文本训诂之间建立的关系,这是语法学生在继续学习修辞学之前应该练习的。这一回顾迫使我们重新考虑语法和修辞学作为经典话语科学之间存在的相互依存问题。从应用和实践的角度来看,本章强调了第10卷对于更好地了解昆提利安对希腊和罗马文学中最重要的作品和作者所做的文学批评分析和评价的重要性,总是与它通过阅读练习和模仿文学模式原则对演说家训练的有用性有关,文学模式不仅包括诗歌文本,还包括历史,哲学,以及修辞文本。最后,本章回顾了昆提连思想中的阿提卡、亚洲和罗得斯风格理论,以及他对一种最适合修辞事实的语用交际要求的混合风格的辩护。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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