Los Smithsons en Golden Lane: la Simultaneidad de Hechos en el Fotomontaje como Construcción de lo Real

Abstract

The innovative use of the photomontage technique in the competition proposal for Golden Lane in 1952 by the Smithsons, as strategy of celebration of the ordinary within a physically and psychologically destroyed postwar London’s East End, will allow them to discover its inspirational source in reality “as found” and to turn it into a new architectural paradigm.