Theory and Theology in George Herbert's Poetry: 'Divinitie, and Poesie, Met'

J. Powers-Beck, E. Clarke
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引用次数: 15

Abstract

In seventeenth-century England the poet George Herbert became known as 'Divine Herbert', his poetry a model for those aspiring to the status of inspired Christian poet. This book explores the relationship between the poetry of George Herbert and the concept of divine inspiration rooted in devotional texts of the time. Clarke considers three very different treatises read and approved by Herbert: Savonarola's De Simplicitate Christianae Vitae, Juan de Valdes's The Hundred and Ten Considerations, and Francois de Sales's Introduction to the Devout Life. These authors all saw literary production as implicit in a theological argument about the workings of the Holy Spirit. Clarke goes on to offer a new reading of many of Herbert's poems, concluding that implanted in Herbert's poetry are many well-established codes which to a seventeenth-century readership signified divine inspiration.
乔治·赫伯特诗歌中的理论与神学:《神性与诗性》
在17世纪的英国,诗人乔治·赫伯特被称为“神圣的赫伯特”,他的诗歌是那些渴望成为有灵感的基督教诗人的典范。这本书探讨了乔治·赫伯特的诗歌和根植于当时虔诚文本的神圣灵感的概念之间的关系。克拉克考虑了赫伯特读过并认可的三篇非常不同的论文:萨沃纳罗拉的《基督生活的简化》、胡安·德·巴尔德斯的《一百一十件事》和弗朗索瓦·德·萨莱斯的《虔诚生活简介》。这些作者都认为文学作品隐含在关于圣灵工作的神学论证中。克拉克继续对赫伯特的许多诗歌进行了新的解读,他总结说,赫伯特的诗歌中植入了许多公认的准则,对17世纪的读者来说,这些准则意味着神圣的灵感。
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