{"title":"The “Phantasmatic” Chinatown in Helen Hunt Jackson’s “The Chinese Empire” and Mark Twain’s Roughing It","authors":"Li-hsin Hsu","doi":"10.1017/9789048542932.008","DOIUrl":null,"url":null,"abstract":"This chapter explores Chinatown as an ephemeral site of visual indeterminacy\n in the 1870s by looking at a number of Californian Chinatown accounts\n in Helen Hunt Jackson’s “The Chinese Empire” (1878) and Mark Twain’s\n Roughing It (1872). Late-nineteenth-century Chinatown as an exhibitory\n locus of authentic Chinese-ness for Western tourists is paradoxically characterized\n by its mutability rather than realism. By examining the accounts\n of Jackson and Twain about the Chinese in the 1870s, the decade before the\n passing of the 1882 Chinese Exclusion Act, the paper rethinks the “virtual”\n existence of Chinatown, its contested nature as a “phantasmatic site” for\n Western projections and visual consumption, which manifests the potential\n realization of national transformation in the mythic Orient of the new West.","PeriodicalId":158457,"journal":{"name":"Ephemeral Spectacles, Exhibition Spaces and Museums","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ephemeral Spectacles, Exhibition Spaces and Museums","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/9789048542932.008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter explores Chinatown as an ephemeral site of visual indeterminacy
in the 1870s by looking at a number of Californian Chinatown accounts
in Helen Hunt Jackson’s “The Chinese Empire” (1878) and Mark Twain’s
Roughing It (1872). Late-nineteenth-century Chinatown as an exhibitory
locus of authentic Chinese-ness for Western tourists is paradoxically characterized
by its mutability rather than realism. By examining the accounts
of Jackson and Twain about the Chinese in the 1870s, the decade before the
passing of the 1882 Chinese Exclusion Act, the paper rethinks the “virtual”
existence of Chinatown, its contested nature as a “phantasmatic site” for
Western projections and visual consumption, which manifests the potential
realization of national transformation in the mythic Orient of the new West.