A tale of grappling: Performative duoethnography as expanded methodological thinking

Runa Hestad Jenssen, Rose Martin
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引用次数: 2

Abstract

This article is a tale of two researchers, teachers, and artists grappling and playing with duoethnography. By expanding the methodology, we aim to bridge duoethnography into pedagogy. Grappling with the methodological to pedagogical bridge, we found that intertwined performative aspects of doing a duoethnography could challenge our knowledge production and roles as researchers and the current and more dominant practices that we operate within. We engage with a performative paradigm (Bolt, 2016) and lean on relevant theories from new materialist feminist thinkers such as Karen Barad (2003, 2007), Lenz Taguchi (2009, 2012) and Tami Spry (2011, 2016), while dialoguing with Joe Norris and Richard D. Sawyer’s (2012) tenets of duoethnography. Our embodiment of these tenets, intertwined with our theoretical positioning, allows our investigation to expand into a performative duoethnography. As an end, we propose duoethnography as a critical performative pedagogy (Pineau, 2002) and offer this article as a playful impulse connecting methodological considerations with pedagogy.
一个纠结的故事:作为扩展的方法论思维的表演多元民族志
这篇文章讲述了两位研究人员、教师和艺术家对多元人种学的探索和探索。通过扩展方法,我们的目标是将多元人种学与教育学联系起来。在方法论与教学之间的桥梁中,我们发现,多民族志研究中相互交织的表现方面可能会挑战我们作为研究人员的知识生产和角色,以及我们所处的当前和更主流的实践。我们采用了一种行为范式(Bolt, 2016),并借鉴了Karen Barad(2003、2007)、Lenz Taguchi(2009、2012)和Tami Spry(2011、2016)等新唯物主义女权主义思想家的相关理论,同时与Joe Norris和Richard D. Sawyer(2012)的多元民族志原则进行了对话。我们对这些原则的体现,与我们的理论定位交织在一起,使我们的调查扩展到一个表演的多元人种志。最后,我们提出多元民族志作为一种批判性的行为教育学(Pineau, 2002),并将本文作为一种将方法论考虑与教育学联系起来的有趣冲动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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