Anxious Beginnings: Mental Illness, Reproduction and Nation Building in ‘Prelude’ and Prelude to Christopher

Sarah Ailwood
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引用次数: 3

Abstract

This article explores relationships between Katherine Mansfield's ‘Prelude’ (1918) and Eleanor Dark's Prelude to Christopher (1934). Mansfield's presence in Australian literary culture of the interwar period, together with Dark's knowledge of her writing, indicates that Dark was influenced, perhaps directly, by ‘Prelude’ when she wrote Prelude to Christopher. Both texts use modernist literary techniques to explore relationships between mental and physical illness and reproduction in the context of emerging feminist politics. The colonial contexts of ‘Prelude’ and Prelude to Christopher impact the treatment of modernist themes by interrogating the socially-prescribed role of woman as childbearer in the nation-building politics of the new colonial nation and its cultural, economic and scientific ideologies. Investigating links between Mansfield and Australian modernist women writers points to the possibility of a regional response to modernism.
焦虑的开端:《前奏》和《克里斯托弗前奏》中的精神疾病、生育和国家建设
本文探讨了凯瑟琳·曼斯菲尔德的《前奏》(1918)和埃莉诺·达克的《克里斯托弗前奏》(1934)之间的关系。曼斯菲尔德在两次世界大战之间的澳大利亚文学文化中的存在,以及达克对她作品的了解,表明达克在写《克里斯托弗前奏》时,可能直接受到了《前奏》的影响。这两个文本都使用现代主义文学技巧来探索在新兴的女权主义政治背景下精神和身体疾病与生殖之间的关系。《前奏》和《克里斯托弗前奏》的殖民语境通过质疑新殖民国家的国家建设政治及其文化、经济和科学意识形态中社会规定的妇女作为生育者的角色,影响了对现代主义主题的处理。调查曼斯菲尔德和澳大利亚现代主义女作家之间的联系,指出了对现代主义的区域反应的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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