Michelangelo's Mourning Woman: The rediscovery and investigation of a forgotten drawing

Camilla Baskcomb, P. Bower, J. Stock
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Abstract

Summary This paper describes the discovery of, and subsequent investigations into, a previously unknown Michelangelo drawing found in an album at Castle Howard, Yorkshire, England. The probable origin of the drawing is discussed through comparison with other works by the young Michelangelo and his circle. The composite laminated structure of the drawing and its eighteenth-century collector's mount are described in detail, together with an analysis of the constituent papers. Conservation treatment, including temporary separation of the drawing from its mount, is covered. The great similarity in the manner of drawing between this and other works by Michelangelo, together with the provenance and the paper evidence have led to this work being accepted as an important new addition to Michelangelo's oeuvre. This investigation of a complex paper object is presented as an excellent illustration of the productive collaboration between specialists in three different disciplines: art history, paper history, and paper conservation.
米开朗基罗的哀悼的女人:一幅被遗忘的绘画的重新发现和调查
本文描述了在英国约克郡霍华德城堡的一本画册中发现的一幅此前不为人知的米开朗基罗画作,并对其进行了后续调查。通过与年轻的米开朗基罗和他的圈子的其他作品的比较,讨论了这幅画的可能起源。该图纸的复合层压结构及其18世纪的收藏家的坐骑详细描述,连同对组成文件的分析。保护处理,包括暂时从其底座分离的图纸,包括。这幅画与米开朗基罗的其他作品在绘画方式上非常相似,再加上出处和纸上的证据,使得这幅画被认为是米开朗基罗全部作品的重要新补充。这个复杂的纸对象的调查是作为三个不同学科的专家之间富有成效的合作的一个很好的例证:艺术史、纸史和纸保护。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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