Production and Reception

David Evans-Powell
{"title":"Production and Reception","authors":"David Evans-Powell","doi":"10.2307/j.ctt20ks1sb.9","DOIUrl":null,"url":null,"abstract":"This chapter outlines the film’s production, release and reception. It includes brief biographies for the key creatives (Piers Haggard, director; Robert Wynne-Simmons, writer; Marc Wilkinson, composer; Dick Bush, Director of Photography), a detailed history on the film’s inception and production, an account of the film’s release and its immediate reception, and a summary of its home release and its emergent cult status. This chapter concludes with a consideration of the film’s locations, the time setting for the film (an approximate early 18th Century) and a short discussion on the influence of Ingmar Bergman’s films on Satan’s Claw’s aesthetic and themes.","PeriodicalId":340779,"journal":{"name":"The Blood on Satan's Claw","volume":"91 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Blood on Satan's Claw","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctt20ks1sb.9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

This chapter outlines the film’s production, release and reception. It includes brief biographies for the key creatives (Piers Haggard, director; Robert Wynne-Simmons, writer; Marc Wilkinson, composer; Dick Bush, Director of Photography), a detailed history on the film’s inception and production, an account of the film’s release and its immediate reception, and a summary of its home release and its emergent cult status. This chapter concludes with a consideration of the film’s locations, the time setting for the film (an approximate early 18th Century) and a short discussion on the influence of Ingmar Bergman’s films on Satan’s Claw’s aesthetic and themes.
制作与接收
本章概述了这部电影的制作、发行和接受情况。它包括主要创意人员的简短传记(皮尔斯·哈格德,导演;作家罗伯特·韦恩-西蒙斯;作曲家马克·威尔金森;迪克·布什(Dick Bush),摄影总监),详细介绍了电影的开始和制作的历史,电影发行和立即受到欢迎的情况,以及它在家庭发行和它的新兴崇拜地位的总结。本章以考虑电影的地点,电影的时间设定(大约18世纪早期)和对英格玛伯格曼电影对撒旦之爪的美学和主题的影响的简短讨论结束。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信