Bottled Ocean 2120: George Nuku, the Ocean, plastic and the role of artists in discussing climate change

IF 0.3
K. Jacobs
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引用次数: 1

Abstract

This article discusses George Nuku’s artwork Bottled Ocean 2120 by focusing on the two core components of its title, the ocean and plastic, in order to explore the role of the Oceanic artist in the global climate change debate. Drawing on the understanding that artists can help to change perspectives in the debate on climate change and justice, the focus in this article is on Oceanic artists who move the discussion beyond the idea of Oceania being the region that contributes the least but is challenged the most by climate disaster, which includes plastic pollution. With his Bottled Ocean series, George Nuku laments the state of plastic-filled ocean in a region that expresses a connection to it. He urges the viewer to stop the single use of plastic, an action that he hopes to inspire by considering and demonstrating the divinity of the material.
瓶装海洋2120:乔治·努库,海洋,塑料和艺术家在讨论气候变化中的作用
本文将从乔治·努库的作品《瓶装海洋2120》的两个核心组成部分——海洋和塑料,来探讨这位海洋艺术家在全球气候变化辩论中的角色。基于艺术家可以帮助改变关于气候变化和正义的辩论的观点的理解,本文的重点是大洋洲艺术家,他们将讨论超越大洋洲是对气候灾害贡献最小但受到气候灾难挑战最大的地区,包括塑料污染。在他的“瓶装海洋”系列中,乔治·努库哀叹这个地区充满塑料的海洋的状态,表达了与它的联系。他敦促观众停止一次性使用塑料,他希望通过思考和展示材料的神性来激发这一行为。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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