{"title":"Extra-Legal Legality: Orientalism and Biopolitics in a State of Exception","authors":"Igbinedion Obaretin","doi":"10.7575/AIAC.IJCLTS.V.6N.3P.1","DOIUrl":null,"url":null,"abstract":"With recourse to the poetry of Guantanamo’s detainees, this article describes the extra-legal legality that typifies the conception and activities of post-9/11 terror-suspect prison camps. It argues that the state of exception, which has become integral in the war on terror, is not a product of necessity, but a reflection of the interplay between biopolitics, biopower, and Orientalism in the post-9/11 era. By considering the ways in which Guantanamo detainees employ poetry to plead their innocence and exhibit their suffering body as political subjects and objects, this article pays careful attention to the aesthetics of Guantanamo poetry and how it reveals the poets’ individual humanity against the fabric of the brutality and illegality packaged ironically as the ‘war on terror’.","PeriodicalId":245593,"journal":{"name":"International Journal of Comparative Literature and Translation Studies","volume":"62 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Comparative Literature and Translation Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7575/AIAC.IJCLTS.V.6N.3P.1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
With recourse to the poetry of Guantanamo’s detainees, this article describes the extra-legal legality that typifies the conception and activities of post-9/11 terror-suspect prison camps. It argues that the state of exception, which has become integral in the war on terror, is not a product of necessity, but a reflection of the interplay between biopolitics, biopower, and Orientalism in the post-9/11 era. By considering the ways in which Guantanamo detainees employ poetry to plead their innocence and exhibit their suffering body as political subjects and objects, this article pays careful attention to the aesthetics of Guantanamo poetry and how it reveals the poets’ individual humanity against the fabric of the brutality and illegality packaged ironically as the ‘war on terror’.