{"title":"The Performance of Miscellany in Variety Concerts, 1700–1711","authors":"Alison DeSimone","doi":"10.2307/j.ctv1k531b3.8","DOIUrl":null,"url":null,"abstract":"Chapter 1 explores how performers used early public concerts to promote themselves as versatile musicians. In a period before audiences expected and prized concert homogeneity, performers strategically used miscellany at these events in order to appeal to as broad an audience as possible.","PeriodicalId":311641,"journal":{"name":"The Power of Pastiche","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Power of Pastiche","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1k531b3.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Chapter 1 explores how performers used early public concerts to promote themselves as versatile musicians. In a period before audiences expected and prized concert homogeneity, performers strategically used miscellany at these events in order to appeal to as broad an audience as possible.