{"title":"The Secret Life of Waste: Recycling Dreams of Migration","authors":"Deniz Göktürk","doi":"10.5117/9789463724166_ch07","DOIUrl":null,"url":null,"abstract":"This essay opens up a new perspective on migration through the lens of\n waste, tracing the effects of war, border securitization, and global capitalism\n on a local scale. The analysis of Afganistanbul (2018), a short documentary\n produced by a team at Kadir Has University in Istanbul where the book in\n hand originated, captures the predicament of undocumented waste workers\n in the city who lack the means to continue their journey to Europe or return\n to their homeland, while resources and revenue in the global recycling\n business circulate freely. Following the film in its close-up on a specific site of\n life and labour, this essay teases out competing aspirations among local and\n migrant city dwellers, arguing that representations of migrant experiences\n are prone to the temptation of poverty porn and calling on spectators to\n consider their own implication in interlocking systems of inequity.","PeriodicalId":446435,"journal":{"name":"Refugees and Migrants in Contemporary Film, Art and Media","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Refugees and Migrants in Contemporary Film, Art and Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789463724166_ch07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This essay opens up a new perspective on migration through the lens of
waste, tracing the effects of war, border securitization, and global capitalism
on a local scale. The analysis of Afganistanbul (2018), a short documentary
produced by a team at Kadir Has University in Istanbul where the book in
hand originated, captures the predicament of undocumented waste workers
in the city who lack the means to continue their journey to Europe or return
to their homeland, while resources and revenue in the global recycling
business circulate freely. Following the film in its close-up on a specific site of
life and labour, this essay teases out competing aspirations among local and
migrant city dwellers, arguing that representations of migrant experiences
are prone to the temptation of poverty porn and calling on spectators to
consider their own implication in interlocking systems of inequity.
这篇文章通过浪费的镜头打开了一个关于移民的新视角,追踪战争、边境证券化和全球资本主义在地方规模上的影响。《阿富汗伊斯坦布尔》(2018)是由伊斯坦布尔卡迪尔哈斯大学(Kadir Has University)的一个团队制作的一部短纪录片,这本书的起源在这里,它捕捉到了城市中无证废物工人的困境,他们缺乏继续前往欧洲或返回家园的手段,而全球回收业务的资源和收入却在自由流通。随着影片对一个特定的生活和劳动场所的特写,这篇文章梳理出了当地和移民城市居民之间相互竞争的愿望,认为移民经历的表现容易受到贫困色情片的诱惑,并呼吁观众考虑他们自己在不平等的连锁系统中的含义。