The Concept of Property in the Digital Era

R. Merges
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引用次数: 20

Abstract

In this Essay I argue that the basic case for property is still a very strong one. Individual control over individual assets still makes sense. I defend property rights in digital creations in the face of two general scholarly critiques: The first is what I call digital determinism - the idea that the central driving force behind IP policy should be the technological imperatives of digital creation and distribution. I argue that the inherent logic of digital technology should not drive IP policy. Second, I discuss the idea that the distinctive feature of digital technology, and therefore the thing that policy should most seek to encourage, is collective creativity. I argue that individual creators are still crucial, and that IP law does not interfere with widely dispersed collective works such as Wikis. Finally, I push for recognition that IP policy should not be blinded by the promise of massive amounts of amateur content; solicitude for what I call "creative professionals" - people who make a living creating high-quality content - has been and must continue to be an important part of IP law.
数字时代的财产概念
在这篇文章中,我认为财产的基本情况仍然是非常强大的。个人控制个人资产仍然是有意义的。面对两种普遍的学术批评,我捍卫数字创作的产权:第一种是我所谓的数字决定论——知识产权政策背后的核心驱动力应该是数字创作和发行的技术要求。我认为数字技术的内在逻辑不应该驱动知识产权政策。其次,我讨论了这样一个观点,即数字技术的独特特征,因此也是政策最应该寻求鼓励的东西,是集体创造力。我认为个人创作者仍然是至关重要的,知识产权法不会干涉像维基这样广泛分散的集体作品。最后,我希望大家认识到,IP政策不应该被大量业余内容的前景所蒙蔽;对我所说的“创意专业人士”——那些以创造高质量内容为生的人——的关注,一直是、也必须继续是知识产权法的重要组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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