Pottery, Glass, and the Pictorial Habit between Late Republic and Early Empire

Manuel Flecker
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Abstract

In the period of classical antiquity, art objects, especially objects of ceramic and glass, were not always used as image bearers to the same extent. Depending upon the prevalent pictorial habit, the phenomenon of images was by no means de rigueur, and imagery was used optionally depending upon the historical, political, and social situation. This chapter focuses on the late Roman Republic and the early imperial period. Like no other period of antiquity, the time span between the second century bce and the first century ce was a phase of accelerated change and upheaval but also one of consolidation. In this period, a pictorial habit developed that differed enormously from the artistic practice of the preceding period and that also continued into the imperial period. Furthermore, imagery was no longer limited to consumption by the elite class but was also available to the broader population. The development of ceramic and glass as visual media provides an excellent example of the profound changes in the culture of the image.
共和国晚期和帝国早期的陶器、玻璃和绘画习惯
在古典时期,艺术品,特别是陶瓷和玻璃制品,并不总是被用作同样程度的图像载体。根据普遍的绘画习惯,图像现象绝不是必须的,图像的使用取决于历史、政治和社会状况。这一章的重点是罗马共和国晚期和帝国早期。公元前2世纪到公元前1世纪这段时间是一个加速变化和动荡的时期,但也是一个巩固的时期,这与其他古代时期不同。在这一时期,形成了一种与前一时期的艺术实践截然不同的绘画习惯,这种习惯也一直延续到帝国时期。此外,图像不再局限于精英阶层的消费,而是面向更广泛的人群。陶瓷和玻璃作为视觉媒介的发展为图像文化的深刻变化提供了一个很好的例子。
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