The paradox of design methods: Towards alternative functions

Kathrina Dankl
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引用次数: 2

Abstract

During the last ten years design has been discussed as a driver for novelty and innovation. Design methods have been applied to challenges ranging from environmental pollution, food to health care and have been used in other disciplines and by people with non-design backgrounds alike. Social Innovation, Design Thinking and Co-Creation are three approaches that are strongly associated with this development. While their borders blur, their toolboxes – the methods they apply - are similar. Sustainability usually requires design methods that enable a participation in the design process of all interested parties. But while typical methods claim to favour multi-disciplinarily, they paradoxically lack emphasis on design knowledge such as communicative and aesthetic qualities. Through an illustrative case in sustainability - a multi-disciplinary team worked on the topic of food waste - this paper discusses the communicative and aesthetic potential of methods for transferring project goals to stakeholders and the wider public. Findings point in the direction of more advanced studies on the significance of core design expertise in multi-disciplinary and co-design oriented contexts.
设计方法的悖论:走向替代功能
在过去的十年里,设计被认为是新奇和创新的驱动力。设计方法已被应用于从环境污染、食品到医疗保健等各种挑战,并已被其他学科和非设计背景的人使用。社会创新、设计思维和共同创造是与这一发展密切相关的三种方法。虽然它们的边界模糊,但它们的工具箱——它们应用的方法——是相似的。可持续性通常需要设计方法,使所有相关方都能参与设计过程。但是,虽然典型的方法声称有利于多学科,但矛盾的是,它们缺乏对设计知识的重视,如沟通和审美品质。本文通过一个可持续发展的例子——一个多学科团队致力于食物浪费的主题——讨论了将项目目标传递给利益相关者和更广泛的公众的方法的沟通和美学潜力。研究结果指出了在多学科和协同设计导向的背景下,对核心设计专业知识的重要性进行更深入研究的方向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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