{"title":"Thinking Inside and Outside of the (Black) Box","authors":"M. Hagener","doi":"10.2307/j.ctv1b0fvtp.14","DOIUrl":null,"url":null,"abstract":"Malte Hagener considers two dimensions of the changes in the\n audiovisual field: the first is exemplified by the Netflix platform on\n the economic and logistical level; the second concerns the aesthetic\n consequences of this new model of production and distribution. Characterized\n by a high level of autonomy and self-consciousness of this status,\n Netflix’s system is transforming the practice of film and the notion we\n have of it. Referencing Bird Box (2018), the “post-apocalyptic thriller”\n (Wikipedia) directed by Susanne Bier and starring Sandra Bullock,\n Hagener exemplifies that a post-cinema movie may be positioned\n between cinema, television and new media, appearing as a “self-allegory\n of its own position in a new media environment, especially concerning\n its production logic.”","PeriodicalId":162773,"journal":{"name":"Post-cinema","volume":"47 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Post-cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1b0fvtp.14","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Malte Hagener considers two dimensions of the changes in the
audiovisual field: the first is exemplified by the Netflix platform on
the economic and logistical level; the second concerns the aesthetic
consequences of this new model of production and distribution. Characterized
by a high level of autonomy and self-consciousness of this status,
Netflix’s system is transforming the practice of film and the notion we
have of it. Referencing Bird Box (2018), the “post-apocalyptic thriller”
(Wikipedia) directed by Susanne Bier and starring Sandra Bullock,
Hagener exemplifies that a post-cinema movie may be positioned
between cinema, television and new media, appearing as a “self-allegory
of its own position in a new media environment, especially concerning
its production logic.”