Neighbors and Faith in Community

Andrea Feeser
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Abstract

Artist Jimmie Durham’s neighborhood and Madre Museum nativities (presepi) reflect his aesthetic: they are composed of found and gifted natural and manmade materials, bear marks of the artist’s making process, and take representational or abstracted forms that instantiate Durham’s ways of sensing and thinking. Made from what many would consider trash and shaped into sensitively-crafted, diverse-looking entities assembled alongside one another, Durham’s presepi communicate his ethics: care for and engagement with what is often overlooked, taken for granted, or disregarded. As with all of his work, the presepi respond to specific places, beings, and conditions; spark considered reflection; and encourage interaction that inspires better ways of living with others. Durham’s presepi do this in the context of Christian faith in Naples, but extend beyond this realm to model respectful interaction with difference in its many incarnations.
邻居与社区信仰
艺术家Jimmie Durham的邻里和Madre博物馆的作品(presepi)反映了他的审美:它们由发现和天赋的自然和人造材料组成,带有艺术家制作过程的标志,并采取具象或抽象的形式,实例化了Durham的感知和思考方式。由许多人认为是垃圾的东西制成,并被塑造成精心制作的、外观多样的实体,它们彼此组装在一起,达勒姆的presepi传达了他的道德准则:关心和参与那些经常被忽视、理所当然或忽视的东西。与他所有的作品一样,前言回应了特定的地点、生物和条件;火花考虑反射;并鼓励互动,激发更好的与他人生活的方式。Durham的presepi在那不勒斯的基督教信仰背景下做了这些,但延伸到这个领域之外,在许多不同的化身中建立了尊重的互动。
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