Beyond Perception

P. Juslin
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引用次数: 3

Abstract

This chapter sets out the aims and objectives of Part 3 of this book. It considers a fourth paradox regarding music and emotion: Music — an abstract form of art which appears removed from our concerns in everyday life — may arouse emotions — biologically evolved reactions related to human survival. Resolving this paradox may require abandoning some common conceptions about music and emotion, which have prevented a deeper understanding. The following questions are addressed: Does music really arouse emotions? If so, how do we know? Which emotions music arouses? Are these emotions different from other emotions? In which settings do emotions occur? Why and how does music arouse emotions? Why do ‘live’ concerts tend to arouse stronger emotions than recorded music? Why do different listeners react differently to the same piece of music? Are the emotions aroused by music in the same way across cultures?
除了感知
本章列出了本书第3部分的目的和目标。它考虑了关于音乐和情感的第四个悖论:音乐——一种抽象的艺术形式,似乎远离我们日常生活的关注——可能会激发情感——与人类生存有关的生物进化反应。要解决这个矛盾可能需要放弃一些关于音乐和情感的普遍观念,这些观念阻碍了对音乐和情感的更深入的理解。音乐真的能唤起情感吗?如果有,我们怎么知道呢?音乐能唤起哪些情感?这些情绪与其他情绪不同吗?在什么情况下会产生情绪?音乐为什么以及如何激发情感?为什么“现场”音乐会往往比录制的音乐更能唤起人们的情感?为什么不同的听众对同一段音乐的反应不同?在不同的文化中,音乐所唤起的情感是相同的吗?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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