{"title":"The Syrian bema and the Georgian Pre-altar Cross: A Comparison of the Liturgical Furnishings of the Nave in the Two Traditions","authors":"E. Leeming","doi":"10.1163/9789004375314_008","DOIUrl":null,"url":null,"abstract":"In his article ‘Les ambons syriens et la function liturgique de la nef dans les églises antiques’1 AndréGrabarmakes reference to the fact that nave-platforms of the Syrian type are, although rare, present in some churches outside northwest Syria and one of the examples he highlights is that of ‘Mzchet.’ In actual fact what Grabar was referring to was the large polygonal platform that dominates the church of Jvari, perched on its mountain outcrop to the east of Mtskheta, the ancient capital of Kartli (Fig. 24). Jvari dates to the first decade of the seventh century and the site upon which the church stands is pivotal in the Christian history of Georgia, as it is believed to be the place where St. Nino, the illuminator of Kartli, raised her cross for the first time. This platform dominates the nave of the centrally planned church where it appears at first glance to be in the centre of the construction. A closer look reveals that it is actually subtly out of alignment with the building; a fact that is surely not coincidental, and the height of this stone structure is further emphasised by the large wooden cross standing at the centre of the platform. This cross is not ancient, but is in fact a replica of an earlier artefact that did not survive the Communist period of Georgia’s history and is one of a presumed line of such pre-altar crosses that have adorned the site. This phenomenon is echoed by the smaller platform that stands to the north side of the sixth century Anchiskhati basilica in Tbilisi. Here the structure is noticably smaller and less dominant, but here too the platform supports a (smaller) cross in a disposition echoing Calvary. So what is the link, if any, between Syria and Georgia if both regions appear to have an unusual disposition of liturgical furniture in their naves? Are these traditions linked or, as Grabar hinted, is this due a com-","PeriodicalId":137518,"journal":{"name":"Architecture and Asceticism: Cultural interaction between Syria and Georgia in Late Antiquity","volume":"10 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Architecture and Asceticism: Cultural interaction between Syria and Georgia in Late Antiquity","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/9789004375314_008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In his article ‘Les ambons syriens et la function liturgique de la nef dans les églises antiques’1 AndréGrabarmakes reference to the fact that nave-platforms of the Syrian type are, although rare, present in some churches outside northwest Syria and one of the examples he highlights is that of ‘Mzchet.’ In actual fact what Grabar was referring to was the large polygonal platform that dominates the church of Jvari, perched on its mountain outcrop to the east of Mtskheta, the ancient capital of Kartli (Fig. 24). Jvari dates to the first decade of the seventh century and the site upon which the church stands is pivotal in the Christian history of Georgia, as it is believed to be the place where St. Nino, the illuminator of Kartli, raised her cross for the first time. This platform dominates the nave of the centrally planned church where it appears at first glance to be in the centre of the construction. A closer look reveals that it is actually subtly out of alignment with the building; a fact that is surely not coincidental, and the height of this stone structure is further emphasised by the large wooden cross standing at the centre of the platform. This cross is not ancient, but is in fact a replica of an earlier artefact that did not survive the Communist period of Georgia’s history and is one of a presumed line of such pre-altar crosses that have adorned the site. This phenomenon is echoed by the smaller platform that stands to the north side of the sixth century Anchiskhati basilica in Tbilisi. Here the structure is noticably smaller and less dominant, but here too the platform supports a (smaller) cross in a disposition echoing Calvary. So what is the link, if any, between Syria and Georgia if both regions appear to have an unusual disposition of liturgical furniture in their naves? Are these traditions linked or, as Grabar hinted, is this due a com-
在他的文章“Les安汶syriens et la函数liturgique de la nef在eglises古董的1 AndreGrabarmakes参考nave-platforms叙利亚类型,虽然罕见,出现在一些教堂外叙利亚西北部的一个例子,他强调是“Mzchet。事实上,格拉巴尔所指的是支配着Jvari教堂的巨大的多边形平台,它坐落在古都卡特利(Kartli)的姆茨赫塔(Mtskheta)以东的山头上(图24)。伊瓦里的历史可以追溯到七世纪的第一个十年,教堂所在的地点在格鲁吉亚的基督教历史上是至关重要的,因为它被认为是圣尼诺,卡特利的照明者,第一次举起她的十字架的地方。这个平台占据了中央规划的教堂的中殿,乍一看,它似乎位于建筑的中心。仔细一看,它实际上与建筑巧妙地偏离了直线;这肯定不是巧合,平台中心的大型木制十字架进一步强调了这个石头结构的高度。这个十字架并不古老,但实际上是一个更早的人工制品的复制品,这个人工制品在格鲁吉亚的共产主义时期没有幸存下来,是装饰该遗址的祭坛前十字架的推定系列之一。第比利斯六世纪的安奇斯卡蒂大教堂北侧的小平台也反映了这一现象。这里的结构明显更小,不那么占主导地位,但这里的平台也支撑着一个(较小的)十字架,与各各他的布局相呼应。那么,如果叙利亚和格鲁吉亚这两个地区的教堂里都摆放着不同寻常的礼拜用具,这两者之间又有什么联系呢?这些传统是有联系的吗?或者,正如格拉巴尔暗示的那样,这是由于一个com