Diane Glancy: A Hunger for Many Voices

L. C. Tisdel
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Abstract

American culture with authority and ease. I thought she would be a tall, imposing force that would rigidly structure the space in a room, like a mountain or tree. I thought she would be a mythic or ritual force. But I was wrong. Unlike her poetry, drama, or fiction, Diane Glancy the person is an unstructured energy. In her speech she establishes "myth" through a youthful curiosity, always surprised and excited by what is right in front ofher. She pursues the unseen potential in everything. As she often says ofher work, she too seems to move in the dream world. Instead ofdictating what is there, she waits for something to show itself, to tell her. I met her in the lobby of her hotel, and on the walk from the hotel to the Red Cedar Review office, where I would interview her, I told her about a dream I had the night before: that she had come to my house and given me a puppy and that we spent a long time trying to name it. During the five-block walk from the hotel to the office we stopped twice so she could write down the dream and scraps of our conversation. Even in five blocks, her myth or logic was revealing itself, and she respected it. She wrote it down.
黛安·格兰西:渴望多种声音
美国文化的权威和轻松。我以为她会是一种高大的、威风凛凛的力量,像一座山或一棵树一样,僵硬地构成房间里的空间。我以为她会是一个神话或宗教力量。但我错了。与她的诗歌、戏剧或小说不同,黛安·格兰西这个人是一种非结构化的能量。在她的演讲中,她通过一种年轻的好奇心建立了“神话”,总是对眼前的事物感到惊讶和兴奋。她在每件事上都追求看不见的潜能。正如她经常谈到自己的作品一样,她似乎也在梦想的世界里活动。她不是口述那里有什么,而是等待一些东西自己显示出来,告诉她。我在她住的酒店的大厅里见到了她,在从酒店走到《红杉评论》办公室(我将在那里采访她)的路上,我告诉她我前一天晚上做的一个梦:她来到我家,给了我一只小狗,我们花了很长时间想给它取名字。在从酒店到办公室的五个街区的路上,我们停了两次,让她记下我们的梦想和谈话的片段。即使在五个街区里,她的神话或逻辑也在显露出来,她尊重它。她写了下来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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