Nineteenth-Century Literary History in a Web 2.0 World

Augusta Rohrbach, Adam Heidebrink, Kellie Herson, Aaron M. Moe, Charles B. Potter, David Tagnani, Stacey Wittstock
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Abstract

Augusta Rohrbach details her collaborative work with six graduate students to build Digital Emerson: A Collective Archive. Rohrbach uses a set of theoretical and critical readings that engage students in reflections about Emerson’s conscious rupture of pedagogical barriers and how his philosophy might be realized in digital environments. Rohrbach and her students think outside argument-based rhetoric and explore the importance of visual literacy and design thinking. With these techniques, her graduate students imagine an audience beyond academia for their work, one that includes a broad community of interested readers.
Web 2.0世界中的19世纪文学史
奥古斯塔·罗尔巴赫详细介绍了她与六名研究生合作建立数字爱默生:集体档案的工作。罗尔巴赫使用了一套理论和批判性读物,让学生们思考爱默生有意识地打破教学障碍,以及他的哲学如何在数字环境中实现。Rohrbach和她的学生们在以论证为基础的修辞学之外思考,探索视觉素养和设计思维的重要性。有了这些技巧,她的研究生们想象他们的作品有了一个超越学术界的受众,其中包括一个广泛的感兴趣的读者群体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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