{"title":"First Release of a Pen-Box From the Iranian Era in Matrouh Archaeological Museum (an Archaeological Cultural Study)","authors":"H. Fattah","doi":"10.21608/sis.2022.178440.1124","DOIUrl":null,"url":null,"abstract":"ملا خل ص The research tackles the pictorial landscapes and the various decorative elements that are important in identifying the manifestations of Islamic civilization in Iran. Because it reflects many aspects of life; It gives a glimpse of the social life that prevailed in that era, in addition to the style of clothing in that period, through a pencil case drawn by the Iranian artist to express that life. The use of lacquered cardboard was common in two centuries (12-13 AH) (18-19 AD) It was widely used in manufacturing ink cartridges and pencil cases; the spread of these products was due to their cheap price and ease of use, its suitability with the economics of the Iranian market. Therefore, it was used in manufacturing pencil cases instead of metal. Iran has witnessed a remarkable progress in lacquer making art, Iran has reached a high degree of maturity and artistic creativity that no one else has reached. This creativity is only a result of the patronage of the sultans, shahs, and princes of Iran, art and artists throughout the ages, whether by encouraging them or lavish them with huge amounts of money and supplying them with all the raw materials needed and what is necessary for their artwork, and artists competed in producing unique and intense pieces of art Excitement and mastery out of their keenness to satisfy the kings of that era, and this was evident from the drawings and decorative pictorial scenes that are the subject of the study. لا لوانتي اهل ىتلا ةددعتملا ةيفرخزلا رصانعلاو ةيريوصتلا رظانملا ثحب سكعت اهنلأ ؛نا ريإ ىف ةيملاسلإا ةراضحلا رهاظم ىلع فرعتلا ىف ةيمهأ ىتلا ةيعامتجلاا ةايحلا نع ةحمل ىطعت ىهف ؛ةايحلا بناوج نم ديدعلا كلت ىف سبلاملا لاكشأ ىلإ ةفاضلإاب ،رصعلا كلذ ىف ةدئاس تناك ةرتفلا نانفلا اهمسر ةملقم للاخ نم ،لبق نم رشنت مل ةملقم للاخ نم كلت نع ربعيل ىنا ريلإا قو .ةايحلا د نوهدملا ىوقملا قرولا مادختسا عاش ( نينرقلا ىف هيكلالاب 12 13 )ـه ( 18 19 لمع ىف ةرثكب مدختساو )م اهنمث صخر تاجتنملا كلت راشتنا ىلع عجش دقو ،رباحملاو ملاقملا ةلوهسو هلمع اذهو ا قوسلا تايداصتقا عم هبسانتو كلذ ةاعا رم نع لًاضف .نداعملا نم لًادب ملاقملا ةعانص ىف تلمعتسا كلذل ؛كادنآ ةينا ريلإا نا ريإ تلصوو هيكلالا ةعانص نف ىف اًظوحلم اً روطت نا ريإ تدهش دقو لصي مل ىنفلا عادبلإاو جضنلا نم ةيلاع ةجرد ىلإ رامضملا اذه ىف ف ،اهريغ اهيلإ ،ةفلتخملا ةينفلا هتاجتنم ىف عدبأو ىنا ريلإا نانفلا نقتأ نا ريإ ماكح ةمظع ىلع لديل ةماخفلا نم اً رهظمو اًعون اهيلع ىفصأو اهتاهاشو نا ريإ نيطلاس ةياعر ةجيتن لاإ عادبلإا اذه ناك امو ، كاذنآ وأ مهعيجشت للاخ نم ءاوس ،روصعلا رم ىلع نينانفلا و نفلا اهئا رمأو هقادغإ داوم نم هيلإ نوجاتحي ام لكب مهدادمإو مهيلع ةلئاطلا لاوملأا م ىف ةرتفلا كلت ىف نونانفلا ىرابتو ،ةينفلا مهلامعلأ مزلا وه امو ماخ ،ةديرف ةينف عطق جاتنإ ،ةراثلإا ةديدشو ءاضرإ ىلع مهنم اًصرح ناقتلإاو ا رظانملا و موسرلا نم اًحضاو كلذ ادبو ،رصعلا كلذ كولم ةيريوصتل .ةسا ردلا عوضوم ةيفرخزلا","PeriodicalId":354702,"journal":{"name":"Journal of Tourism, Hotels and Heritage","volume":"123 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Tourism, Hotels and Heritage","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21608/sis.2022.178440.1124","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
ملا خل ص The research tackles the pictorial landscapes and the various decorative elements that are important in identifying the manifestations of Islamic civilization in Iran. Because it reflects many aspects of life; It gives a glimpse of the social life that prevailed in that era, in addition to the style of clothing in that period, through a pencil case drawn by the Iranian artist to express that life. The use of lacquered cardboard was common in two centuries (12-13 AH) (18-19 AD) It was widely used in manufacturing ink cartridges and pencil cases; the spread of these products was due to their cheap price and ease of use, its suitability with the economics of the Iranian market. Therefore, it was used in manufacturing pencil cases instead of metal. Iran has witnessed a remarkable progress in lacquer making art, Iran has reached a high degree of maturity and artistic creativity that no one else has reached. This creativity is only a result of the patronage of the sultans, shahs, and princes of Iran, art and artists throughout the ages, whether by encouraging them or lavish them with huge amounts of money and supplying them with all the raw materials needed and what is necessary for their artwork, and artists competed in producing unique and intense pieces of art Excitement and mastery out of their keenness to satisfy the kings of that era, and this was evident from the drawings and decorative pictorial scenes that are the subject of the study. لا لوانتي اهل ىتلا ةددعتملا ةيفرخزلا رصانعلاو ةيريوصتلا رظانملا ثحب سكعت اهنلأ ؛نا ريإ ىف ةيملاسلإا ةراضحلا رهاظم ىلع فرعتلا ىف ةيمهأ ىتلا ةيعامتجلاا ةايحلا نع ةحمل ىطعت ىهف ؛ةايحلا بناوج نم ديدعلا كلت ىف سبلاملا لاكشأ ىلإ ةفاضلإاب ،رصعلا كلذ ىف ةدئاس تناك ةرتفلا نانفلا اهمسر ةملقم للاخ نم ،لبق نم رشنت مل ةملقم للاخ نم كلت نع ربعيل ىنا ريلإا قو .ةايحلا د نوهدملا ىوقملا قرولا مادختسا عاش ( نينرقلا ىف هيكلالاب 12 13 )ـه ( 18 19 لمع ىف ةرثكب مدختساو )م اهنمث صخر تاجتنملا كلت راشتنا ىلع عجش دقو ،رباحملاو ملاقملا ةلوهسو هلمع اذهو ا قوسلا تايداصتقا عم هبسانتو كلذ ةاعا رم نع لًاضف .نداعملا نم لًادب ملاقملا ةعانص ىف تلمعتسا كلذل ؛كادنآ ةينا ريلإا نا ريإ تلصوو هيكلالا ةعانص نف ىف اًظوحلم اً روطت نا ريإ تدهش دقو لصي مل ىنفلا عادبلإاو جضنلا نم ةيلاع ةجرد ىلإ رامضملا اذه ىف ف ،اهريغ اهيلإ ،ةفلتخملا ةينفلا هتاجتنم ىف عدبأو ىنا ريلإا نانفلا نقتأ نا ريإ ماكح ةمظع ىلع لديل ةماخفلا نم اً رهظمو اًعون اهيلع ىفصأو اهتاهاشو نا ريإ نيطلاس ةياعر ةجيتن لاإ عادبلإا اذه ناك امو ، كاذنآ وأ مهعيجشت للاخ نم ءاوس ،روصعلا رم ىلع نينانفلا و نفلا اهئا رمأو هقادغإ داوم نم هيلإ نوجاتحي ام لكب مهدادمإو مهيلع ةلئاطلا لاوملأا م ىف ةرتفلا كلت ىف نونانفلا ىرابتو ،ةينفلا مهلامعلأ مزلا وه امو ماخ ،ةديرف ةينف عطق جاتنإ ،ةراثلإا ةديدشو ءاضرإ ىلع مهنم اًصرح ناقتلإاو ا رظانملا و موسرلا نم اًحضاو كلذ ادبو ،رصعلا كلذ كولم ةيريوصتل .ةسا ردلا عوضوم ةيفرخزلا