Learning Places: The Urban Landscape as a Site of Contestation and Consequence in Ernesto Galarza’s Barrio Boy

W. Arcé
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Abstract

Abstract:This essay focuses on Ernesto Galarza’s classic migrant autobiography Barrio Boy: The Story of a Boy’s Acculturation (1971). In this essay I demonstrate how Galarza uses the barrio space of Sacramento during the early 1920s to contest pressures of assimilation and pochismo. I argue that Galarza’s use of urban space allows him to reconceptualize the place of culture in the city in order to foster a more integrative transcultural and communal narrative. The location of the barrio as the physical and psychic place of la raza (Galarza’s term) provides Mexican immigrants in Sacramento a public space in which to openly practice cultural traditions. The argument is supported by two subsections within the essay. The first demonstrates how the barrio space provides Mexican culture “visibility” within the city’s geography; this allows the colonia to become the symbolic central space for the community. In the second, I show how the physical layout of the barrio space allows the young Galarza to receive an alternative barrio-based education on the value of cultural self-affirmation.
学习场所:在Ernesto Galarza的Barrio Boy中,城市景观作为一个争论和后果的场所
摘要:本文以埃内斯托·加拉扎的经典移民自传《Barrio Boy: The Story of a Boy’s Acculturation》(1971)为研究对象。在这篇文章中,我展示了Galarza如何在20世纪20年代早期利用萨克拉门托的barrio空间来对抗同化和pochmo的压力。我认为Galarza对城市空间的使用使他能够重新概念化城市中的文化位置,以促进更综合的跨文化和公共叙事。barrio的位置作为la raza (Galarza的术语)的物理和精神场所,为萨克拉门托的墨西哥移民提供了一个公开实践文化传统的公共空间。该论点由文章中的两个小节支持。第一个展示了barrio空间如何在城市地理中提供墨西哥文化的“可见性”;这使得殖民地成为社区的象征性中心空间。在第二部分,我展示了barrio空间的物理布局如何让年轻的Galarza接受另一种基于barrio的文化自我肯定价值的教育。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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