Falstaff’s Gluttony, Lust, Avarice, Sloth and Pride in Henry IV Part I

Krste Iliev
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Abstract

Abstract This paper aims at looking at Shakespeare’s character Falstaff through the prism of some of the seven deadly sins. The paper doesn’t claim that it explores all the sins present in Falstaff’s personality. The main sins that this paper examines in Falstaff’s personality are the sins of gluttony, lust, avarice, sloth, and pride. The presence of so many sins in the personality of one character that are interconnected is known as concatenation of sins. As Bernard Spivack (1958) and David Wiles (1987) have explained, in many ways Falstaff serves as the Vice figure from the morality plays tempting Prince Hal. Since in the morality plays the Vice figure stems and is associated mainly to the seven deadly sins, this paper will try to show that the fact that Falstaff possesses so many sins can facilitate the possibility of him being identified as stemming from the Vice figure from the morality plays. I will try to find each of the afore-mentioned sins by analyzing Falstaff actions and inactions and by trying to find characteristics of the sins present in Falstaff’s behavior. This paper will also look at Falstaff’s fate and whether there is any similarity between the fate of the Vice figure in the morality plays and the fate of Falstaff in the second part.
《亨利四世(上)》中福斯塔夫的贪、欲、贪、懒、傲
本文旨在通过《七宗罪》的棱镜来审视莎士比亚笔下的福斯塔夫。这篇论文并没有声称它探讨了福斯塔夫人格中存在的所有罪恶。本文考察福斯塔夫性格中的主要罪恶是贪吃、淫欲、贪婪、懒惰和骄傲。在一个人物的人格中存在如此多的罪,这些罪是相互联系的,这就是所谓的罪串。正如伯纳德·斯皮瓦克(1958)和大卫·怀尔斯(1987)所解释的那样,福斯塔夫在很多方面都扮演了道德剧《诱惑哈尔王子》中的反派角色。由于道德剧中的罪恶形象主要源于并与七宗罪有关,本文将试图证明福斯塔夫拥有如此多的罪恶这一事实有助于从道德剧中将他识别为罪恶形象的来源。我将试图通过分析福斯塔夫的作为和不作为,并试图找到福斯塔夫行为中存在的罪的特征,来找出上述每一种罪。本文还将探讨福斯塔夫的命运,以及道德剧中Vice人物的命运与第二部分福斯塔夫的命运是否有相似之处。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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