Witness and Celebrate

Jonathan R. Eller
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Abstract

Chapter five surveys the poems and musical experiments that both distracted Bradbury from story writing and renewed his creativity in the early 1970s. Television and film composer Lalo Schifrin put Bradbury’s Madrigals for the Space Age to music just as Bradbury’s accelerating output of poems led to the first of three volumes of verse with his trade publisher Alfred A. Knopf. His defiant articles on the termination of the Apollo lunar missions culminated in his December 1972 Playboy article, “From Stonehenge to Tranquility Base,” a title image meant to convey the all-too-brief period of human history devoted to reaching the heavens. Chapter five concludes with unsuccessful attempts by the United States government to negotiate a cultural exchange for Bradbury with the Soviet Union.
见证和庆祝
第五章考察了1970年代早期布拉德伯里的诗歌和音乐实验,这些诗歌和音乐实验既分散了布拉德伯里的创作精力,又重新激发了他的创造力。电视和电影作曲家拉洛·希夫林将布拉德伯里的《太空时代牧歌》谱成音乐,就像布拉德伯里不断加速的诗歌产出导致他的商业出版商阿尔弗雷德·a·克诺夫出版了三卷诗集中的第一部一样。1972年12月,他在《花花公子》杂志上发表了一篇题为《从巨石阵到宁静基地》(From Stonehenge to Tranquility)的文章,这篇文章对阿波罗登月计划的终止提出了质疑,这篇文章的标题图片意在表达人类历史上致力于到达天堂的那一段过于短暂的时期。第五章以美国政府试图与苏联谈判布拉德伯里文化交流的失败告终。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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