Interpretasi dan Ekspresi Solis Violin: Repertoar Concerto In A Minor, Zapin Kasih dan Budi, Rangkaian Melati dan Amazing Grace (Solis Violin Interpretation and Expression: Concerto In A Minor Repertoire, Zapin Kasih dan Budi, Rangkaian Melati and Amazing Grace)
Arsenius Edi Susilo, Emridawati Emridawati, Yon Hendri, Martarosa Martarosa
{"title":"Interpretasi dan Ekspresi Solis Violin: Repertoar Concerto In A Minor, Zapin Kasih dan Budi, Rangkaian Melati dan Amazing Grace (Solis Violin Interpretation and Expression: Concerto In A Minor Repertoire, Zapin Kasih dan Budi, Rangkaian Melati and Amazing Grace)","authors":"Arsenius Edi Susilo, Emridawati Emridawati, Yon Hendri, Martarosa Martarosa","doi":"10.26887/musica.v2i1.2320","DOIUrl":null,"url":null,"abstract":"Artikel ini bertujuan untuk analisis interpretasi dan ekspresi solis violin dalam pertunjukan Concerto in A Minor, Zapin Kasih dan Budi, Rangkaian Melati dan Amazing Grace. Arikel terkait interpretasi ini penting untuk dilakukan sebagai upaya bagi seorang penyaji dalam membawakan repertoar dengan mengedepankan aspek interpretasi terhadapa karya yang dimainkan. Repertoar Concerto in A Minor merupakan repertoar zaman barok dengan teknik yang meliputi Staccato, Appoggiatura, Arpeggio, Trill, Double Stop dan legato. Repertoar Zapin Kasih dan Budi yang tergolong musik Melayu, menggunakan teknik trio/triplet, legato dan grenek atau triller. Repertoar Rangkaian Melati yang tergolong musik keroncong, menggunakan teknik cengkok (gruppeto), gregel (mordent), mbesut (glissando), trill, Appoggiatura, Legato dan Staccato. Sedangkan repertoar Amazing Grace merupakan musik zaman barok, dengan teknik Sextuplet, Doublestop, vibrato, legato, dan arpeggio. Adapun metode yang digunakan dalam artikel ini ialah analisis interpretatif terhadap karya dalam pertunjukan. Hasil dari artikel ini menyajikan interpretasi dan ekspresi solis terhadap karya yang diwujudkan melalui pemahaman terhadap zaman, style dan teknik dari masing–masing repertoar.ABSTRACTThis article aims to analyze the interpretation and expression of the violin soloist in Concerto in A Minor, Zapin Kasih and Budi, Melati Series and Amazing Grace performances. This article related to interpretation is important to do as an effort for a presenter in bringing a repertoire by prioritizing the interpretation aspect of the work being played. The Concerto in A Minor repertoire is a baroque repertoire with techniques that include Staccato, Appoggiatura, Arpeggio, Trill, Double Stop and legato. Zapin Kasih and Budi's repertoire, which is classified as Malay music, uses trio/triplet, legato and grenek or triller techniques. The repertoire of the Melati series, which is classified as keroncong music, uses the techniques of cengkok (gruppeto), gregel (mordent), mbesut (glissando), trill, Appoggiatura, Legato and Staccato. Meanwhile, Amazing Grace's repertoire is music from the baroque era, with the techniques of Sextuplet, Doublestop, vibrato, legato, and arpeggio. The method used in this article is an interpretive analysis of works in performances. The results of this article present a solo interpretation and expression of the work that is realized through an understanding of the times, styles and techniques of each repertoire.","PeriodicalId":349352,"journal":{"name":"Musica: Journal of Music","volume":"11 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Musica: Journal of Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26887/musica.v2i1.2320","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
Artikel ini bertujuan untuk analisis interpretasi dan ekspresi solis violin dalam pertunjukan Concerto in A Minor, Zapin Kasih dan Budi, Rangkaian Melati dan Amazing Grace. Arikel terkait interpretasi ini penting untuk dilakukan sebagai upaya bagi seorang penyaji dalam membawakan repertoar dengan mengedepankan aspek interpretasi terhadapa karya yang dimainkan. Repertoar Concerto in A Minor merupakan repertoar zaman barok dengan teknik yang meliputi Staccato, Appoggiatura, Arpeggio, Trill, Double Stop dan legato. Repertoar Zapin Kasih dan Budi yang tergolong musik Melayu, menggunakan teknik trio/triplet, legato dan grenek atau triller. Repertoar Rangkaian Melati yang tergolong musik keroncong, menggunakan teknik cengkok (gruppeto), gregel (mordent), mbesut (glissando), trill, Appoggiatura, Legato dan Staccato. Sedangkan repertoar Amazing Grace merupakan musik zaman barok, dengan teknik Sextuplet, Doublestop, vibrato, legato, dan arpeggio. Adapun metode yang digunakan dalam artikel ini ialah analisis interpretatif terhadap karya dalam pertunjukan. Hasil dari artikel ini menyajikan interpretasi dan ekspresi solis terhadap karya yang diwujudkan melalui pemahaman terhadap zaman, style dan teknik dari masing–masing repertoar.ABSTRACTThis article aims to analyze the interpretation and expression of the violin soloist in Concerto in A Minor, Zapin Kasih and Budi, Melati Series and Amazing Grace performances. This article related to interpretation is important to do as an effort for a presenter in bringing a repertoire by prioritizing the interpretation aspect of the work being played. The Concerto in A Minor repertoire is a baroque repertoire with techniques that include Staccato, Appoggiatura, Arpeggio, Trill, Double Stop and legato. Zapin Kasih and Budi's repertoire, which is classified as Malay music, uses trio/triplet, legato and grenek or triller techniques. The repertoire of the Melati series, which is classified as keroncong music, uses the techniques of cengkok (gruppeto), gregel (mordent), mbesut (glissando), trill, Appoggiatura, Legato and Staccato. Meanwhile, Amazing Grace's repertoire is music from the baroque era, with the techniques of Sextuplet, Doublestop, vibrato, legato, and arpeggio. The method used in this article is an interpretive analysis of works in performances. The results of this article present a solo interpretation and expression of the work that is realized through an understanding of the times, styles and techniques of each repertoire.
本文旨在分析诠释和表达剧中索利斯小提琴协奏曲in A小调,Zapin爱和人情,一系列的茉莉花和奇异恩典。Arikel相关解释这是为了做作为重要一个这个问题带着曲目方面解释正在对演奏的作品。曲目是勃拉姆斯的A小调曲目巴洛克时代的技术包括断奏、Appoggiatura琶音,颤音,双和连奏停了下来。曲目Zapin属于马来音乐的爱和不合理,使用技术帮,连奏grenek或triller三重奏-三胞胎。音乐曲目的茉莉花系列属于keroncong技术都扭曲了(gruppeto), gregel mordent), mbesut (glissando),颤音Appoggiatura连奏和断奏。音乐曲目Amazing Grace则是巴洛克时代,技术与Sextuplet Doublestop颤音,连奏,琶音。至于解释性分析本文中使用的方法是对作品的节目里。索利斯本文的结果提供了解释和表达的作品通过对这个时代的理解,实现各自的风格和技巧——每个曲目。ABSTRACTThis文章aims to analyze解释和表情》《A小调小提琴协奏曲中的独唱,Zapin人情,茉莉花系列和爱奇异恩典performances。这文章相关的解释是重要to do as an努力for a恶名昭彰的主持人解释aspect》一系列由prioritizing工作被玩。《A小调协奏曲一系列是巴洛克式A一系列与techniques that include断奏,Appoggiatura,琶音,颤音,双和连奏停了下来。Zapin和人情的一系列的爱,这是美国机密马来音乐,利用三重奏-三胞胎,连奏和grenek或triller techniques。《茉莉花》一系列大赛,这是美国机密keroncong techniques》音乐,利用都扭曲了(gruppeto), gregel mordent), mbesut (glissando),颤音Appoggiatura连奏和断奏。Meanwhile,奇异恩典的一系列是巴洛克式音乐从《时代》,与《Sextuplet techniques, Doublestop颤音,连奏和琶音。《这文章的方法以前interpretive works in performances之分析。这文章介绍一个独奏解释之results和表达式的工作就是的时候通过的谅解》《泰晤士报》,每一系列的风格和techniques。