{"title":"The Volumetric Diagram – Genealogy of a Drawing Type","authors":"T. Lindgren","doi":"10.54916/rae.119327","DOIUrl":null,"url":null,"abstract":"Biography Tommy Kaj Lindgren architect and Urban Design, of Architecture, in the of Arts, Design and Architecture at Aalto University. In his research, Lindgren is focused on the position of drawings as mediating tools in architectural production and reproduction. While working as an architect and teacher, he also contributes to ongoing discussions on the urban environment, its form and formation, through critiques and reviews. Abstract The architectural drawing is integral to the way we envision, construct and understand our environment. Interpreted as mediators, the situated nature of architectural drawings can be defined, and their effects identified. This text is an exploration in three parts of the drawing type that I call the ‘Volumetric Diagram’—in the first part, the general nature of architectural drawings is described and examples highlighting the constructed nature of different drawing types are presented; all drawing types are claimed to be in a state of flux and the mechanisms of change are examined – the durability of types being a function of their connectivity. In the second part, the Volumetric Diagram is described as a distinct contemporary drawing type, its ‘pre-history’ is traced from axonometric representations and diagrams, and its emergence is outlined by examining the genealogy of the type. The qualities of the Volumetric Diagram are described and elaborated based on this analysis. In the last part the previously explored aspects of architectural drawings in general, and the Volumetric Diagram in particular, are juxtaposed with architectural approaches and theoretical concepts, in order to highlight the position of the Volumetric Diagram in relation to them.","PeriodicalId":101879,"journal":{"name":"Research in Arts and Education","volume":"364 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Research in Arts and Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54916/rae.119327","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
Biography Tommy Kaj Lindgren architect and Urban Design, of Architecture, in the of Arts, Design and Architecture at Aalto University. In his research, Lindgren is focused on the position of drawings as mediating tools in architectural production and reproduction. While working as an architect and teacher, he also contributes to ongoing discussions on the urban environment, its form and formation, through critiques and reviews. Abstract The architectural drawing is integral to the way we envision, construct and understand our environment. Interpreted as mediators, the situated nature of architectural drawings can be defined, and their effects identified. This text is an exploration in three parts of the drawing type that I call the ‘Volumetric Diagram’—in the first part, the general nature of architectural drawings is described and examples highlighting the constructed nature of different drawing types are presented; all drawing types are claimed to be in a state of flux and the mechanisms of change are examined – the durability of types being a function of their connectivity. In the second part, the Volumetric Diagram is described as a distinct contemporary drawing type, its ‘pre-history’ is traced from axonometric representations and diagrams, and its emergence is outlined by examining the genealogy of the type. The qualities of the Volumetric Diagram are described and elaborated based on this analysis. In the last part the previously explored aspects of architectural drawings in general, and the Volumetric Diagram in particular, are juxtaposed with architectural approaches and theoretical concepts, in order to highlight the position of the Volumetric Diagram in relation to them.
Tommy Kaj Lindgren是阿尔托大学艺术、设计和建筑专业的建筑师和城市设计。在他的研究中,Lindgren专注于图纸作为建筑生产和复制的中介工具的地位。在担任建筑师和教师的同时,他还通过评论和评论对城市环境及其形式和形成进行了持续的讨论。建筑绘图是我们设想、构建和理解环境的方式中不可或缺的一部分。作为媒介,建筑图纸的定位性质可以被定义,其效果也可以被识别。本文是对三部分绘图类型的探索,我称之为“体积图”——第一部分,描述了建筑图纸的一般性质,并提出了突出不同绘图类型的构造性质的例子;所有的绘图类型都处于不断变化的状态,并检查了变化的机制-类型的耐久性是其连接性的函数。在第二部分中,体积图被描述为一种独特的当代绘画类型,它的“史前”可以追溯到轴测图和图表,并通过检查类型的谱系来概述它的出现。在此基础上,对体积图的性质进行了描述和阐述。在最后一部分中,之前探讨的建筑图纸的各个方面,特别是体积图,与建筑方法和理论概念并列,以突出体积图在它们之间的地位。